The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee, all of whom have been recognised for breaking ground in Southeast Asian modern art. With essays that deliberate upon the impact of their works during the 1970s as well as a rich documentation of their works and archival materials, this catalogue presents a concise study of the three artists and also offers insight into how conceptual art practices took hold in this region.

The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee, all of whom have been recognised for breaking ground in Southeast Asian modern art. With essays that deliberate upon the impact of their works during the 1970s as well as a rich documentation of their works and archival materials, this catalogue presents a concise study of the three artists and also offers insight into how conceptual art practices took hold in this region.

The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee, all of whom have been recognised for breaking ground in Southeast Asian modern art. With essays that deliberate upon the impact of their works during the 1970s as well as a rich documentation of their works and archival materials, this catalogue presents a concise study of the three artists and also offers insight into how conceptual art practices took hold in this region.