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This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. It demonstrates that the expressive placement of characters and objects within 3D film worlds can construct meaning in ways that are unavailable to ‘flat’ cinema.
Owen Weetch is a Senior Teaching Fellow in the Department of Film and Television Studies at the University of Warwick.
List of Figures.- Acknowledgements.- Introduction: The Expressivity of Space.- 1. 'I See You': Avatar, Narrative Spectacle and Accentuating Continuity.- 2.‘You’re Going to Make It’: Ride Alignment and the Mastery of Stereographic Space in Gravity.- 3.‘You Only Looked that Way Because I was Little’: Spaces of Terror and Reaching Maturity in The Hole.- 4.‘There’s an Ocean in the Way’: Written Words, Unreachability and Competing Testimonies in The Great Gatsby.- 5. ‘Against the Wall’: Frozen’s Expressive Planarity, Attempts to Connect and Ambivalent Utopias.- Conclusion: A Special Plea for Off-the-Screen Space.- Glossary of Stereoscopic Terms.- Notes.- Bibliography.-
