Del 0 - Experimental Film and Artists’ Moving Image

Experimental and Expanded Animation

New Perspectives and Practices

Häftad, Engelska, 2018

2 489 kr

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This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live ‘making’ and is today exhibited in galleries, public sites and online.

Produktinformation

Utgivningsdatum2018-12-14
Mått148 x 210 x 16 mm
Vikt398 g
FormatHäftad
SpråkEngelska
SerieExperimental Film and Artists’ Moving Image
Antal sidor286
FörlagSpringer Nature Switzerland AG
ISBN9783030088774

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Vicky Smith is a lecturer at the University for the Creative Arts, UK. Her experimental animation practice of 30 years has screened internationally in cinemas, galleries and on C4TV. She has published in Animation: an Interdisciplinary Journal and Sequence. Nicky Hamlyn is Professor of Experimental Film at the University for the Creative Arts and a lecturer at the Royal College of Art, UK. He is the author of Film Art Phenomena (2003) and co-editor of and contributor to Kurt Kren: Structural Films (2016). His film and video work is available on three DVD compilations from LUX, RGB and Film Gallery, Paris.

1.Introduction, Vicky Smith and Nicky Hamlyn.- 2. Lines and Interruptions in Experimental Animation, Simon Payne.- 3. Performing the Margins of the New, Dirk de Bruyn.- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker.- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith.- 6. Analogon: Of A World Already Animated, Sean Cubitt.- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes.- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn.-9.- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells.- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse.- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan.- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill.- 13. Siting Animation: the Affect of Place, Birgitta Hosea.