Exhibiting the Empire

John McAleer is Lecturer in History at the University of SouthamptonJohn M. MacKenzie is Emeritus Professor of Imperial History at Lancaster University and holds Honorary Professorships at the Universities of Aberdeen, St Andrews and Stirling, as well as an Honorary Fellowship at Edinburgh University

• Introduction: Cultures of display and the British Empire – John M. MacKenzie and John McAleer 1. An elite imperial vision: eighteenth-century British country houses and four-continents imagery – Stephanie Barczewski 2. Exhibiting exploration: Captain Cook, voyages of exploration and the culture of display – John McAleer 3. Satirical peace prints and the cartographic unconscious – Douglas Fordham4. Sanguinary engagements: exhibiting the naval battles of the French Revolutionary and Napoleonic Wars – Eleanor Hughes 5. Empire under glass: the British Empire and the Crystal Palace, 1851–1911 – Jeffrey Auerbach 6. Ephemera and the British Empire – Ashley Jackson and David Tomkins 7. Exhibiting the empire in print: the press, the publishing world and the promotion of ‘Greater Britain’ – Berny Sèbe 8. Exhibiting the empire at the Delhi Durbar of 1911: imperial and cultural contexts – John M. MacKenzie 9. Elgar’s Pageant of Empire, 1924: an imperial leitmotiv – Nalini Ghuman 10. Representing ‘Our Island Sultanate’ in London and Zanzibar: cross-currents in educating imperial publics – Sarah Longair Index

‘Exhibiting the Empire is an excellent contribution to the continued debate about the empire’s role in Britain. There is a good deal packed into this relatively short volume, which certainly raises a number of new topics and approaches that warrant further attention from scholars of empire, British and otherwise.’Stephen Hague, Rowan University, H-Net, Humanities and Social Science Reviews Online‘This collection is a brilliant example of how the historiography of empire should consider the multiple and complex imperial interactions within and throughout British domestic culture. Contributions from a range of scholars and a variety of disciplinary traditions show that a host of cultural products were used to record, celebrate and question the development of the British Empire within the metropole.’Shahmima Akhtar, University of Birmingham, Journal of contemporary History, Vol. 54, No. 1