Philip Butterworth is Visiting Research Fellow at the Institute for Medieval Studies, University of Leeds, UK. Katie Normington is Professor of Drama and Dean of Arts and Social Science at Royal Holloway, University of London, UK.

• Contents: Introduction; Part I Records: St John’s College register of inventories (1548-9), Trinity College Inventory (1550), Alan H. Nelson; Cordwainers’ and shoemakers’ accounts (1549-50), Smiths’, cutlers’, and plumbers’ accounts (1560-61), Bowyers’, fletchers’, coopers’, and stringers’ accounts (1571), Painters’, glaziers’, embroiderers’, and stationers’ accounts (1571), Elizabeth Baldwin, Lawrence M. Clopper and David Mills; Cappers’ records (1540), Drapers’ accounts (1563), Smiths’ accounts (1584), R.W. Ingram; Corporation chamberlains’ accounts (1573-4) (Elizabeth’s visit), Willis’ description of a play at Gloucester (1570s), Audrey Douglas and Peter Greenfield; Chamberlains’ accounts (New Romney, 1483-6 and 1560-61), James M. Gibson; Grocers’ Guild records (1564-5), David Galloway; Mercers’ pageant documents (1433) (indenture), Mercers’ pageant documents (1461) (expenses), Alexandra F. Johnston and Margaret Rogerson; Of perspective, Sebastiano Serlio; Third dialogue, Leoni di Somi. Part II Pageant Vehicle Staging: The York Mercers and their pageant of Doomsday, 1433-1526, Alexandra F. Johnston and Margaret (Dorrell) Rogerson; The development of the York Mercers’ pageant waggon, Peter Meredith; The manner of these playes, John Marshall; The Coventry pageant waggon, Reg Ingram. Part III Other Forms of Staging: Criteria for a popular repertory, David Bevington; La festa d’Elx: the Festival of the Assumption of the Virgin, Elche (Alicante), Pamela M. King and Asunción Salvador-Rabaza; Drama and the city: city parades, Katie Normington; Moving encounters: choreographing stage and spectators in urban theatre and pageantry, Tom Pettitt. Part IV Costume, Mask and Stage Effects: Apparell comlye, Meg Twycross; Gunnepowdyr, fyre and thondyr, Philip Butterworth; Mystery plays, Meg Twycross and Sarah Carpenter; Magic through sound: illusion, deception and agreed pretence, Philip Butterworth. Part V Playing: ’Look at