Eduard Cuelenaere is a Postdoctoral researcher at the Department of Communication Sciences at Ghent University, Belgium. Gertjan Willems is assistant professor at the University of Antwerp, in the departments of Literature and Communication Sciences, and a Postdoctoral Fellow of the Research Foundation - Flanders (FWO) at Ghent University Stijn Joye is an associate professor at the Department of Communication Sciences at Ghent University, Belgium

• List of Figures and Tables Notes on Contributors Preface - Tom LeitchFilm Remakes in the Context of European Cinema: an Introduction - Eduard Cuelenaere, Gertjan Willems & Stijn JoyePart I: Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies 1. The Film Remake as a Prism: Towards a Model of Systematic Textual Analysis - Cuelenaere Eduard 2. The ‘Secret Remake’: A European Take on the Traditional Remake? - Marie Martin3. From ‘Mini-Remake’ to Open-ended Coda: How to Make a ‘Proper’ Homage - Peter Verstraten4. Rainer Werner Fassbinder’s ‘Berlin Alexanderplatz’ (1980) as a Remake? - Mario Slugan5. Remakesploitation: Exploitation Film Remakes and the Transnational Giallo - Iain Robert SmithPart II: Historical Perspectives: Continuity and Change6. Re-forming La Maternelle: Social-Cultural Continuity and the Remake - Jennifer Forrest7. Screening Transformation Processes: Post-war Remakes of Nazi-era Films - Stefanie Mathilde Frank8. The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion, and Critical Reception in the Context of Technological Innovation - Kamalika Sanyal & Eduard CuelenaerePart III: Contemporary Perspectives: European Film Remakes in the New Millennium9. Remakes à la polonaise: From National Readaptations to Internationally Inspired Romcoms - Kris Van Heuckelom 10. Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake The Crew (2016) - Boris Noordenbos & Irina Souch11. Mistaken Identities: Millennial Remakes, Post-Socialist Transformation, and Hungarian Popular Cinema - Balazs Varga12. Refashioning the Remake: A Bigger Splash - Constantine VerevisPart IV: Industrial Perspectives: Practices of Production and Circulation13. Remake and decline in Scottish cinema: Whisky Galore 1949 and 2016 - Robert Munro & Michael Stewart14. ‘Remakable’ Directors: The Contemporary Spanish Media industry and the Popular Discourses on Remakes and National Authorship - Núria Araüna Baró15. Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies - Chris MeirIndex

In this exciting new volume Cuelenaere, Willems and Joye bring together established names in the field of remake studies and a number of bright new voices. The result is a rich and diverse collection of essays written from multiple perspectives. Moving away from the established tendency to focus on the Hollywood remake and building upon a growing body of literature on its European counterparts, the collection provides fresh and invigorating new thinking on the European film industries while simultaneously adding important insights to the theorisation of remakes, adaptations and transnational cinema more widely.

Eduard Cuelenaere is a Postdoctoral researcher at the Department of Communication Sciences at Ghent University, Belgium. Gertjan Willems is assistant professor at the University of Antwerp, in the departments of Literature and Communication Sciences, and a Postdoctoral Fellow of the Research Foundation - Flanders (FWO) at Ghent University Stijn Joye is an associate professor at the Department of Communication Sciences at Ghent University, Belgium

• List of Figures and Tables Notes on Contributors Preface - Tom LeitchFilm Remakes in the Context of European Cinema: an Introduction - Eduard Cuelenaere, Gertjan Willems & Stijn JoyePart I: Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies 1. The Film Remake as a Prism: Towards a Model of Systematic Textual Analysis - Cuelenaere Eduard 2. The ‘Secret Remake’: A European Take on the Traditional Remake? - Marie Martin3. From ‘Mini-Remake’ to Open-ended Coda: How to Make a ‘Proper’ Homage - Peter Verstraten4. Rainer Werner Fassbinder’s ‘Berlin Alexanderplatz’ (1980) as a Remake? - Mario Slugan5. Remakesploitation: Exploitation Film Remakes and the Transnational Giallo - Iain Robert SmithPart II: Historical Perspectives: Continuity and Change6. Re-forming La Maternelle: Social-Cultural Continuity and the Remake - Jennifer Forrest7. Screening Transformation Processes: Post-war Remakes of Nazi-era Films - Stefanie Mathilde Frank8. The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion, and Critical Reception in the Context of Technological Innovation - Kamalika Sanyal & Eduard CuelenaerePart III: Contemporary Perspectives: European Film Remakes in the New Millennium9. Remakes à la polonaise: From National Readaptations to Internationally Inspired Romcoms - Kris Van Heuckelom 10. Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake The Crew (2016) - Boris Noordenbos & Irina Souch11. Mistaken Identities: Millennial Remakes, Post-Socialist Transformation, and Hungarian Popular Cinema - Balazs Varga12. Refashioning the Remake: A Bigger Splash - Constantine VerevisPart IV: Industrial Perspectives: Practices of Production and Circulation13. Remake and decline in Scottish cinema: Whisky Galore 1949 and 2016 - Robert Munro & Michael Stewart14. ‘Remakable’ Directors: The Contemporary Spanish Media industry and the Popular Discourses on Remakes and National Authorship - Núria Araüna Baró15. Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies - Chris MeirIndex

In this exciting new volume Cuelenaere, Willems and Joye bring together established names in the field of remake studies and a number of bright new voices. The result is a rich and diverse collection of essays written from multiple perspectives. Moving away from the established tendency to focus on the Hollywood remake and building upon a growing body of literature on its European counterparts, the collection provides fresh and invigorating new thinking on the European film industries while simultaneously adding important insights to the theorisation of remakes, adaptations and transnational cinema more widely.

Eduard Cuelenaere is a Postdoctoral researcher at the Department of Communication Sciences at Ghent University, Belgium. Gertjan Willems is assistant professor at the University of Antwerp, in the departments of Literature and Communication Sciences, and a Postdoctoral Fellow of the Research Foundation - Flanders (FWO) at Ghent University Stijn Joye is an associate professor at the Department of Communication Sciences at Ghent University, Belgium

• List of Figures and Tables Notes on Contributors Preface - Tom LeitchFilm Remakes in the Context of European Cinema: an Introduction - Eduard Cuelenaere, Gertjan Willems & Stijn JoyePart I: Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies 1. The Film Remake as a Prism: Towards a Model of Systematic Textual Analysis - Cuelenaere Eduard 2. The ‘Secret Remake’: A European Take on the Traditional Remake? - Marie Martin3. From ‘Mini-Remake’ to Open-ended Coda: How to Make a ‘Proper’ Homage - Peter Verstraten4. Rainer Werner Fassbinder’s ‘Berlin Alexanderplatz’ (1980) as a Remake? - Mario Slugan5. Remakesploitation: Exploitation Film Remakes and the Transnational Giallo - Iain Robert SmithPart II: Historical Perspectives: Continuity and Change6. Re-forming La Maternelle: Social-Cultural Continuity and the Remake - Jennifer Forrest7. Screening Transformation Processes: Post-war Remakes of Nazi-era Films - Stefanie Mathilde Frank8. The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion, and Critical Reception in the Context of Technological Innovation - Kamalika Sanyal & Eduard CuelenaerePart III: Contemporary Perspectives: European Film Remakes in the New Millennium9. Remakes à la polonaise: From National Readaptations to Internationally Inspired Romcoms - Kris Van Heuckelom 10. Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake The Crew (2016) - Boris Noordenbos & Irina Souch11. Mistaken Identities: Millennial Remakes, Post-Socialist Transformation, and Hungarian Popular Cinema - Balazs Varga12. Refashioning the Remake: A Bigger Splash - Constantine VerevisPart IV: Industrial Perspectives: Practices of Production and Circulation13. Remake and decline in Scottish cinema: Whisky Galore 1949 and 2016 - Robert Munro & Michael Stewart14. ‘Remakable’ Directors: The Contemporary Spanish Media industry and the Popular Discourses on Remakes and National Authorship - Núria Araüna Baró15. Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies - Chris MeirIndex

In this exciting new volume Cuelenaere, Willems and Joye bring together established names in the field of remake studies and a number of bright new voices. The result is a rich and diverse collection of essays written from multiple perspectives. Moving away from the established tendency to focus on the Hollywood remake and building upon a growing body of literature on its European counterparts, the collection provides fresh and invigorating new thinking on the European film industries while simultaneously adding important insights to the theorisation of remakes, adaptations and transnational cinema more widely.