European Film and Television Co-production

Julia Hammett-Jamart PhD is a media industry consultant with over two decades of experience spanning production, policy and research. She has produced and directed programs for public broadcaster SBS Television, occupied senior policy positions within public funding agencies the Australian Film Commission and Screen Australia, and is co-founder of the international Co-production Research Network.Petar Mitric is a PhD Fellow at the University of Copenhagen, Denmark. He has held residencies at the Danish Film Institute, Austrian Film Institute and Eurimages, and worked at several production companies in Belgrade and Vienna. Eva Novrup Redvall PhD is Associate Professor in Film and Media Studies at the University of Copenhagen, Denmark, where she founded the research priority area on Creative Media Industries. Recent books include the monograph Writing and Producing Television in Drama: From The Kingdom to The Killing and the co-authored Transnational European Television Drama: Production, Genres and Audiences.

• 1. Introduction: European Film and Television Co-production, Julia Hammett-Jamart, Petar Mitric and Eva Novrup Redvall.- 2. Statistical Overview: Production, Co-production and Circulation, Julio Talavera.- Part I: Policy and Practice of Co-Production: Scholarly Voices.- 3. Official Co-production: Policy Instruments and Imperatives, Julia Hammett-Jamart.- 4. The European Co-production Treaties: A Short History and a Possible Typology, Petar Mitric.- 5. From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film, Philip Drake.- 6. European Co-productions in a Digital Single Market: EUtopia or Dystopia?, Nina Vindum Rasmussen.- 7. The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policy, Christopher Meir.- 8. International Co-production of Nordic Television Drama: The Case of Ride Upon the Storm, Eva Novrup Redvall.- 9. Breaking through the East-European Ceiling: Minority Co-production and the New Symbolic Economy of Small-Market Cinemas, Petr Szczepanik.- 10. The Regional Film Fund as Co-production Crusader: The Case of Film i Väst, Olof Hedling.- 11. The Many Enemies of Co-productions in Italy: Moviegoers, Broadcasters, Policy-Makers and Half-Hearted Producers, Marco Cucco.- 12. European Co-productions and Greek Cinema Since the Crisis: “Extroversion” as Survivall, Lydia Papadimitriou.- 13. Exporting the French Co-production Model: Aide aux cinėmas du monde and Produire au Sud, Ana Vinuela.- Part II: Policy and Practice of Co-production: Industry Voices.- 14. ‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto Olla, Julia Hammett-Jamart.- 15. Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?, Anna Herold.- 16. The Impact of Regional Film Funds on the European Co-production Model, Charlotte Appelgren.- 17. Minority Co-production: Insights from MEDICI, Joelle Levie.- 18. ‘Co-development Initiatives in Europe’—an interview with Isabelle Fauvel, Petar Mitric.- 19. ‘A Matter of Survival: Co-production as a Means of Competing Internationally’—an interview with Anders Kjærhauge, Julia Hammett-Jamart.- 20. ‘European Television Co-productions’—an interview with Klaus Zimmermann, Benjamin Harris.- 21. ‘Co-production Case Study: Ida by Pawel Pawlikowski’— an interview with Ewa Puszczynska and Sofie Wanting Hassing, Petar Mitric.- 22. ‘Unofficially European: Case Study of BAFTA-Winning I am not a Witch’—an interview with Juliette Grandmont, Katell Leon.

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