European Cinema in the Streaming Era

Policy, Platforms, and Production

Häftad, Engelska, 2025

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This collection examines the impact of streaming platforms on European cinema. the impact of platforms on the circulation of European films, including some of the global players, multi-national and single-nation platforms operating in Europe;

Produktinformation

Utgivningsdatum2025-04-10
Mått148 x 210 x 20 mm
Vikt461 g
FormatHäftad
SpråkEngelska
SeriePalgrave European Film and Media Studies
Antal sidor304
FörlagSpringer International Publishing AG
ISBN9783031421846

Tillhör följande kategorier

Scenkonst och film inom Kultur
Media och underhållning inom Ekonomi och ledarskap

Section I: European Policy and Streaming Cinema.- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU’s Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen.- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle.- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon.- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King’s College, London Section II: SVOD platforms and the Circulation of European Films.- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid.- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent.- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid.- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid.- Section III: SVOD-Financed European Production.- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid.- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague.- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna).- 12.Particularising the Universal in Aléxandre Aja’s Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick).- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix’s Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent).