European Cinema and Television

Ib Bondebjerg is Professor of Film, Media and Communication at the University of Copenhagen, Denmark. He was chairman of the Danish Film Institute (1997–2000) and of the Center for Modern European Studies (2008–2011). He has published numerous books and articles on European film and media culture and is on the editorial or advisory board of several international journals.Eva Novrup Redvall is Associate Professor in Film, Media and Communication at the University of Copenhagen, Denmark, where she is also head of the Research Priority Area on Creative Media Industries. She has published widely on film and television production, most recently with her book Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing (2013). Andrew Higson is Greg Dyke Professor of Film and Television, and head of the Department of Theatre, Film and Television, at the University of York, UK. He is a specialist in English and British cinema. His books include: Film England (2011), English Heritage, English Cinema (2003) and Waving the Flag: Constructing a National Cinema in Britain (1995).

“The essays are all well written, cover a wide range of examples and identify pathways for innovative methodologies and integrative forms of analysis. It is a work of great scholarship and collective endeavor that will be of real value to anyone interested in European cinemas, television, policy, society and culture, and perhaps above all for those, like the book’s editors and authors, interested in the connections across all these domains.” (Jonathan Hardy, Transnational Cinemas, March, 2016)“It provides data, detailed descriptions of practices and regulative policies as well as some of their consequences in the complex, fragmented, transnational, occasionally successful, but ultimately somewhat disordered, film and television landscape of Europe. … European Cinema and Television: Cultural Policy and Everyday Life represents an authoritative and significant contribution to the increasingly studied field that is the industries and regulative frameworks of European film and television.” (Olof Hedling, Nordicom Review, Vol. 37 (1), 2016)