HARRIET POLLACK is a professor of English at Bucknell University. She is an editor and coeditor of four collections: Eudora Welty, Whiteness, and Race (Georgia), Emmett Till in Literary Memory and Imagination, Eudora Welty and Politics: Did the Writer Crusade?, and Having Our Way: Women Rewriting Tradition in Twentieth-Century America.

The jury is no longer out. After decades of scholarly debate about where Eudora Welty stands on race, the twelve contributors to this superb collection have finally settled the matter. By focusing on Welty’s oblique style and technical intricacy, they convincingly illuminate how race, the color line, and white blindness function in her photography and her fiction.

HARRIET POLLACK is a professor of English at Bucknell University. She is an editor and coeditor of four collections: Eudora Welty, Whiteness, and Race (Georgia), Emmett Till in Literary Memory and Imagination, Eudora Welty and Politics: Did the Writer Crusade?, and Having Our Way: Women Rewriting Tradition in Twentieth-Century America.

The jury is no longer out. After decades of scholarly debate about where Eudora Welty stands on race, the twelve contributors to this superb collection have finally settled the matter. By focusing on Welty’s oblique style and technical intricacy, they convincingly illuminate how race, the color line, and white blindness function in her photography and her fiction.

HARRIET POLLACK is a professor of English at Bucknell University. She is an editor and coeditor of four collections: Eudora Welty, Whiteness, and Race (Georgia), Emmett Till in Literary Memory and Imagination, Eudora Welty and Politics: Did the Writer Crusade?, and Having Our Way: Women Rewriting Tradition in Twentieth-Century America.

The jury is no longer out. After decades of scholarly debate about where Eudora Welty stands on race, the twelve contributors to this superb collection have finally settled the matter. By focusing on Welty’s oblique style and technical intricacy, they convincingly illuminate how race, the color line, and white blindness function in her photography and her fiction.