Lucinda Carspecken is a senior lecturer in Qualitative and Quantitative Research Methodology at Indiana University.

• Introduction: Ethics and Ancestors in Ethnography Part I: Ethnography as Public Work 1. The Traveler with the Ear Trumpet: Harriet Martineau as Methodological Pioneer 2. Jane Addams and the Coat: Research as Lateral Practice 3. Chart and Compass in W.E.B. Du Bois’s Early Work Part II: Building Imaginative Bridges 4. “I was just crazy to get into the dance,”: Zora Neale Hurston’s Celebratory Research in Florida 5. The Dakota Way of Life and Waterlily: Ella Deloria’s Gifts 6. M.N. Srinivas and the Inconvenient Detail 7. The Work of Recognition in Barbara Myerhoff’s Number Our Days Part III: Fusions: Participatory Action Theory, Ethnographic History and Auto-ethnography 8. Orlando Fals Borda and Participatory Action Research: Looking for the Place Where Waters Meet 9. The Many and the One: Ronald Takaki’s Revisioning of the United States 10. The Singing Man and the Suitor: Auto-ethnographic Ways of Knowing in Nawal El Saadawi’s Memoirs

Lucinda Carspecken is a senior lecturer in Qualitative and Quantitative Research Methodology at Indiana University.

• Introduction: Ethics and Ancestors in Ethnography Part I: Ethnography as Public Work 1. The Traveler with the Ear Trumpet: Harriet Martineau as Methodological Pioneer 2. Jane Addams and the Coat: Research as Lateral Practice 3. Chart and Compass in W.E.B. Du Bois’s Early Work Part II: Building Imaginative Bridges 4. “I was just crazy to get into the dance,”: Zora Neale Hurston’s Celebratory Research in Florida 5. The Dakota Way of Life and Waterlily: Ella Deloria’s Gifts 6. M.N. Srinivas and the Inconvenient Detail 7. The Work of Recognition in Barbara Myerhoff’s Number Our Days Part III: Fusions: Participatory Action Theory, Ethnographic History and Auto-ethnography 8. Orlando Fals Borda and Participatory Action Research: Looking for the Place Where Waters Meet 9. The Many and the One: Ronald Takaki’s Revisioning of the United States 10. The Singing Man and the Suitor: Auto-ethnographic Ways of Knowing in Nawal El Saadawi’s Memoirs

Lucinda Carspecken is a senior lecturer in Qualitative and Quantitative Research Methodology at Indiana University.

• Introduction: Ethics and Ancestors in Ethnography Part I: Ethnography as Public Work 1. The Traveler with the Ear Trumpet: Harriet Martineau as Methodological Pioneer 2. Jane Addams and the Coat: Research as Lateral Practice 3. Chart and Compass in W.E.B. Du Bois’s Early Work Part II: Building Imaginative Bridges 4. “I was just crazy to get into the dance,”: Zora Neale Hurston’s Celebratory Research in Florida 5. The Dakota Way of Life and Waterlily: Ella Deloria’s Gifts 6. M.N. Srinivas and the Inconvenient Detail 7. The Work of Recognition in Barbara Myerhoff’s Number Our Days Part III: Fusions: Participatory Action Theory, Ethnographic History and Auto-ethnography 8. Orlando Fals Borda and Participatory Action Research: Looking for the Place Where Waters Meet 9. The Many and the One: Ronald Takaki’s Revisioning of the United States 10. The Singing Man and the Suitor: Auto-ethnographic Ways of Knowing in Nawal El Saadawi’s Memoirs