Charles Ramírez Berg is the Joe M. Dealey, Sr. Professor in Media Studies at the University of Texas at Austin. He is the author of The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films and Latino Images in Film: Stereotypes, Subversion, and Resistance.John Bruns is Professor of Film Studies and a faculty affiliate of the Women's and Gender Studies program at the College of Charleston. He is the author of Loopholes: Reading Comically and Hitchcock's People, Places, and Things.

• Preface1. Early Cinema, 1891–19052. The Emergence of Narrative, 1906–19163. The Dawning of the Hollywood Studio Style, 1917–19274. The Golden Age of German Cinema, 1919–19335. Film and Revolution: The Rise of Soviet Cinema6. Sound and Narration: The Transition to Talking Pictures, 1927–19337. The Golden Age of French Cinema, 1920–19398. Classical Hollywood, 1930–1945: Narrative Structure and Five Key Directors9. Italian Neorealism10. American Cinema After World War II11. After Neorealism: Global Cinema in the 1950s12. The French New Wave13. Global New Waves: World Cinema in the 1960s14. The New Hollywood: From Art House to Blockbuster, 1960–198515. Recent European Cinema: From 1980 to the Present16. New Cinemas in a Transnational World, Part 117. New Cinemas in a Transnational World, Part 218. Indiewood, Hollywood, and the Age of Franchise Moviemaking19. New Narratives in Film20. Cinematic Alternatives in (Digital) Filmmaking, 1990 to the PresentIndex

Charles Ramírez Berg is the Joe M. Dealey, Sr. Professor in Media Studies at the University of Texas at Austin. He is the author of The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films and Latino Images in Film: Stereotypes, Subversion, and Resistance.John Bruns is Professor of Film Studies and a faculty affiliate of the Women's and Gender Studies program at the College of Charleston. He is the author of Loopholes: Reading Comically and Hitchcock's People, Places, and Things.

• Preface1. Early Cinema, 1891–19052. The Emergence of Narrative, 1906–19163. The Dawning of the Hollywood Studio Style, 1917–19274. The Golden Age of German Cinema, 1919–19335. Film and Revolution: The Rise of Soviet Cinema6. Sound and Narration: The Transition to Talking Pictures, 1927–19337. The Golden Age of French Cinema, 1920–19398. Classical Hollywood, 1930–1945: Narrative Structure and Five Key Directors9. Italian Neorealism10. American Cinema After World War II11. After Neorealism: Global Cinema in the 1950s12. The French New Wave13. Global New Waves: World Cinema in the 1960s14. The New Hollywood: From Art House to Blockbuster, 1960–198515. Recent European Cinema: From 1980 to the Present16. New Cinemas in a Transnational World, Part 117. New Cinemas in a Transnational World, Part 218. Indiewood, Hollywood, and the Age of Franchise Moviemaking19. New Narratives in Film20. Cinematic Alternatives in (Digital) Filmmaking, 1990 to the PresentIndex

Charles Ramírez Berg is the Joe M. Dealey, Sr. Professor in Media Studies at the University of Texas at Austin. He is the author of The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films and Latino Images in Film: Stereotypes, Subversion, and Resistance.John Bruns is Professor of Film Studies and a faculty affiliate of the Women's and Gender Studies program at the College of Charleston. He is the author of Loopholes: Reading Comically and Hitchcock's People, Places, and Things.

• Preface1. Early Cinema, 1891–19052. The Emergence of Narrative, 1906–19163. The Dawning of the Hollywood Studio Style, 1917–19274. The Golden Age of German Cinema, 1919–19335. Film and Revolution: The Rise of Soviet Cinema6. Sound and Narration: The Transition to Talking Pictures, 1927–19337. The Golden Age of French Cinema, 1920–19398. Classical Hollywood, 1930–1945: Narrative Structure and Five Key Directors9. Italian Neorealism10. American Cinema After World War II11. After Neorealism: Global Cinema in the 1950s12. The French New Wave13. Global New Waves: World Cinema in the 1960s14. The New Hollywood: From Art House to Blockbuster, 1960–198515. Recent European Cinema: From 1980 to the Present16. New Cinemas in a Transnational World, Part 117. New Cinemas in a Transnational World, Part 218. Indiewood, Hollywood, and the Age of Franchise Moviemaking19. New Narratives in Film20. Cinematic Alternatives in (Digital) Filmmaking, 1990 to the PresentIndex