English Pastoral Music

Eric Saylor is a professor of musicology at Drake University. He coedited Blackness in Opera and The Sea in the British Musical Imagination.

"This is a darn fine book, well-written and well-researched. " --Journal of Musicological Research "With Eric Saylor's welcome reassessment of style, mode, and genre in English Pastoral Music, the relegation of the study of pastoralism in (English) music to the margins of scholarly discourse appears to be behind us." --Notes "Even more fascinating than an interview can convey; it's a book very much worth reading for yourself."--Iowa Public Radio "Eric Saylor's book, English Pastoral Music: From Arcadia to Utopia, 1900-1950 is even more fascinating than an interview can convey; it's a book very much worth reading for yourself."--Iowa Public Radio "It must be said that this book is as much one of advocacy as of analysis; yet it is not diminished by Saylor's passion. It is creative and open-ended, as research ought to be; and there are many lines of inquiry started here that invite further discussion."--NABMSA Reviews "Saylor makes his points with clarity, insight, and a touch of humor. . . . This book is valuable for to bringing serious attention to a repertoire that has long been pigeonholed and dismissed." --Music Reference Services Quartertly "In this landmark study, Eric Saylor sensitively illuminates the contexts and meanings (including many dark currents) of a body of twentieth-century music that remains exceptionally popular with audiences, and yet is still frequently misunderstood and underestimated by critics and musicologists."--Alain Frogley, author of Vaughan Williams's Ninth Symphony "Eric Saylor's English Pastoral Music is a brilliant new mapping of a repertory much admired but often misunderstood. Juxtaposing visions of Arcadian landscapes with the existential realities of war, Saylor reframes early-twentieth-century pastoral--idyllic and elegiac--as a modernist art form. Rich in biographical, social, and ideological perspectives, this study is both superbly researched and deeply felt."--Philip Rupprecht, author of British Musical Modernism: The Manchester Group and their Contemporaries