Encyclopedia of Epic Films

Inbunden, Engelska, 2014

AvConstantine Santas,James M. Wilson,Maria Colavito,Djoymi Baker

3 099 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains:Major personnel behind the camera, including directors and screenwriters Cast and character listingsPlot summaryAnalysisAcademy Award wins and nominationsDVD and Blu-ray availabilityResources for further studyThis volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.

Produktinformation

Utgivningsdatum2014-03-21
Mått186 x 260 x 48 mm
Vikt1 669 g
FormatInbunden
SpråkEngelska
Antal sidor712
FörlagBloomsbury Publishing Plc
ISBN9780810882478

Tillhör följande kategorier

Film inom Kultur
Referensverk och tvärvetenskap inom Samhälle och politik

Constantine Santas is professor emeritus at Flagler College (St. Augustine, Florida), where he initiated a program of film studies that continues today. He is the author of Responding to Film (2002), The Epic in Film (2007), and The Epic Films of David Lean (Scarecrow Press, 2011). James M. Wilson teaches film, American literature, and creative writing at Flagler College. He teaches and writes about film and has published short stories in the Southwestern Review and Prairie Winds, among others. Maria Colavito is associate professor of philosophy/humanities at Florida State College at Jacksonville. She is the author of three books, including The Pythagorean Intertext in Ovid’s Metamorphoses (1989) and The New Theogony: Mythology for the Real World (1992).Djoymi Baker teaches screen studies in the School of Culture and Communication at the University of Melbourne. Her articles have appeared in journals such as Popular Culture Review and Senses of Cinema and in anthologies such as Star Trek as Myth: Essays on Symbol and Archetype at the Final Frontier (2010).

An epic film, according to this publication, is one that is lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The films are sometimes three to four hours long. This volume features a 'Films A to Z' section and four appendixes. Entries contain cast and character listings, 'major personnel behind the camera,' plot summaries, analysis, running time, Academy Award wins and nominations, DVD/Blu-ray availability, and resources for further study. The appendixes cover foreign epics, superhero spectaculars, and television epics. . . .Many interesting facts are presented. . . .Also notable are the instances in which this volume explores both original films and their remakes. Two King Kong films, two Cleopatra films, and two Ten Commandments films (1923 and 1956; both directed by Cecil B. DeMille) are covered. Film series such as The Godfather, the Christopher Reeve Superman films, The Lord of the Rings series, and the Sam Raimi Spider-Man films are also examined. Stanley Kubrick's majestic 2001: A Space Odyssey is described as having vision, dazzling sets, visual style, beautiful music score sequences, and mystery. These are definitive ingredients for a classic epic film. This book will be a useful addition to college and university libraries, especially those supporting film programs. Summing Up: Recommended. Lower-division undergraduates through researchers/faculty.