An impressive collection of some of the most talented scholars in French and European Studies. The authors formulate a concept of “encountering” as alternatively a “falling into place” and as a “convergence” – concepts that get to the heart of what good criticism does, namely to “take the risk of meeting anew.” Encounters with God, encounters with eighteenth-century women writers, encounters with music and the visual arts, encounters with others – the range of topics and first-rate scholarship attests to Christie McDonald’s enduring influence and inspiration on literary and cultural studies.