Enchanted Ground

André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting

Häftad, Engelska, 2021

AvGavin Parkinson,UK) Parkinson, Dr Gavin (Professor of European Modernism, Courtauld Institute of Art

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Enchanted Ground is about the challenge to modernist criticism by Surrealist writers—mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others—who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism—Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh—became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.

Produktinformation

Utgivningsdatum2021-04-08
Mått152 x 226 x 22 mm
Vikt720 g
FormatHäftad
SpråkEngelska
Antal sidor376
FörlagBloomsbury Publishing PLC
ISBN9781501375644
UtmärkelserShort-listed for R. Gapper Book Prize 2020 (UK)

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Litteraturvetenskap inom Skönlitteratur
Konsthistoria inom Kultur

Gavin Parkinson is Senior Lecturer in European Modernism at The Courtauld Institute of Art, London, UK. He is the author of Futures of Surrealism: Myth, Science Fiction and Fantastic Art in France 1936-1969 (2015), Surrealism, Art and Modern Science: Relativity, Quantum Mechanics, Epistemology (2008), The Duchamp Book (2008) and Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin-de-Siècle Painting (2018), as well as the editor of Surrealism, Science Fiction and Comics (2015).

Introduction: Art After Impressionism After Surrealism1. Greengrocer, Bricklayer or Seer? Psychoanalyzing Paul Cézanne2. Painting as Propaganda and Prophecy: René Magritte and Pierre-Auguste Renoir3. Method and Poetry: Georges Seurat’s Surrealist Dialectic4. Between Dog and Wolf: Georges Seurat, Brassaï and the City of Light5. Civilization, Realism, Abstraction: Paul Gauguin and Surrealism, 1948-536. Dialectic of Brittany: From Myth to Folklore in Paul Gauguin and SurrealismEpilogue: Disenchanted Ground, or Vincent van Gogh, Antonin Artaud and Magic in 1947 Conclusion: On André BretonBibliographyList of IllustrationsIndex