Liana de Girolamoi Cheney, University of Massachusetts, USACassandra Auble, West Virginia University, USABrandie R. Siegfried, Brigham Young University, USACatherine Loomis, University of New Orleans, USAMarguerite A. Tassi, University of Nebraska-Kearney, USAEffie Botonaki, Aristotle University of Thessaloniki, GreeceJohn T. Cull, College of the Holy Cross, USAAntonio Bernat Vistarini, Universitat de les Illes Balears, Spain

• Extra-Literary Emblematics; Debra Barrett-Graves 1. Caterina Cornaro Queen of Cyprus; Liana Cheney Girolami 2. Bejewled Majesty: Queen Elizabeth I, Precious Stones and Statecraft; Cassandra Auble 3. 'Bear your body more seeming': Open-Kneed Portraits of Elizabeth I; Catherine Loomis 4. Mermaids, Sirens, and Mary Queen of Scots: Icons of Wantonness and Pride; Debra Barrett-Graves 5. Martyrdom and Memory: Elizabeth Curle's Portrait of Mary, Queen of Scots; Marguerite A. Tassi 6. Anne of Denmark and the Court Masque: Displaying and Authoring Queenship; Effie Botonaki 7. 'A Lily Among Thorns': The Emblematic Eclipse of Spain's María Lusa de Orleáns in the Hieroglyphs of her Funeral Exequies; Antonio Bernat Vistarini and John T. Cull Afterward; John Watkins

'Hereditary monarchies have always depended for their very survival on interdynastic marriages and fertile queens, yet the ambiguities of their power and status as women have often been obscured in their historical profiles. As the Renaissance emblem came to play such a central role in symbolic representations of royalty, however, we can now witness those ambiguities and difficulties in the emblematic representation of royal spouses of the early modern period that are explored in the revealing studies that make up this volume.' - Michael Bath, Senior Research Fellow, University of Glasgow, UK and author of Emblems for a Queen: The Needlework of Mary Queen of Scots 'The essays in this volume shine fascinating light on material objects bearing the symbolic images by which Renaissance queens pressed their claims to authority and sought to preserve their fame. In exploring the many interpretive possibilities that arise when royal emblems are seen in relation to competing cultural and political forces in the reigns that produced them, the authors show just how fresh the insights can be when history, art history, and cultural studies come together as intimate friends.' - Donald Stump, Professor of English, Saint Louis University, co-founder of the Queen Elizabeth I Society and co-editor of Elizabeth I and the 'Sovereign Arts' and The Age of Elizabeth