Elgar Companion to the Arts and Global Multiculturalism

Edited by the late Sneja Gunew, Formerly, Emeritus Professor of English and Women's Studies, Institute for Gender, Race, Sexuality and Social Justice, University of British Columbia, Canada, Nikos Papastergiadis, formerly Director, Research Unit for Public Cultures, University of Melbourne, Fazal Rizvi, Emeritus Professor, Faculty of Education, University of Melbourne and Paula Muraca, Associate Research Fellow, Alfred Deakin Institute, Deakin University Melbourne, Australia

• ContentsIntroduction 11 Introduction: the multiple origins and open futures for globalmulticulturalism 2Nikos Papastergiadis, Sneja Gunew, Paula Muraca and Fazal RizviPART I MULTICULTURAL FORMATIONS AND STATE INTERVENTIONS2 Meeting half-way, the poetics of no man’s land 14Paul Carter3 Impact and legacy: cultural diversity in the UK’s visual arts sector – acritical history, 1976–2006 30Richard Hylton4 Australian multiculturalism as a social movement: a biography of the firstgeneration, 1968–1996 45Andrew Jakubowicz5 European Americans: making ethnicity in multiculturalism, movingtoward post-ethnicity 67Yiorgos Anagnostou6 Mapping social inclusion in the arts: global cultural policy and concentricmulticulturalism in decolonial Singapore 81Audrey Yue7 The art of prefiguration: building a future collectivity at documenta fifteen 97Anne Ring PetersenPART II SPACES OF CULTURAL ACTIVISM AND TRANSFORMATION8 What a (non-) difference a half-century makes: juxtaposing the AfricanCanadian verse anthologies of 1973 and 2022 113George Elliott Clarke9 Migrant rights activism and the community origins of Australianmulticulturalism, 1970s 132Alexandra Dellios10 ‘I had imagined the world differently’: Anil Ramdas and the convolution ofa postcolonising Europe 151Ien Ang11 Making place-based multicultural art ecologies: reflections fromcommunity arts in Australia 167Bo Svoronos, John Svoronos, Paula Muraca and Carmen Grostal12 Around the world in words: Giramondo Publishing Company 189Cecelia Cmielewski13 Artistic practice as transformation, learning, awakening, and agency:twenty years as a post-Sino-Indonesian diaspora artist 207Tiong AngPART III CRITICALITY AND PEDAGOGIC POSSIBILITIES14 Interpreting violence: pedagogies of ethical criticism for the support ofcritical multiculturalism 221Suzanne S. Choo and Angela Chew15 Representing themselves: international students in the creative space 236Catherine Gomes16 Postcolonial reading: multiculturalism beyond nations 251Aparna Mishra Tarc17 Reimagining multiculturalism: a transcultural perspective on musiceducation 267Niranjan Casinader18 Aroundness, awareness: to rework art out of Asia 278Patrick FloresPART IV MAKING AESTHETIC FUTURES19 Writing nearby, Alanis Obomsawin 290Monika Kin Gagnon20 Performance and Makarrata: Indigenising Interculturalism 304Jacqueline Lo, Dalisa Pigram and Rachael Swain21 Re-imagining a multicultural Europe: the experience of the R.E.D.(Reframing the European Dream) Carpet 322Pierluigi Musarò, Valentina Cappi, Lorenza Villani and Paola Parmiggiani22 Kichwapi rap: hip-hop and rap as intercultural and multicultural strategiesfor the revitalisation and resistance of the Kichwa language in Ecuador 337Cristian Angel Quezada Vera23 On distance and adjacency – or, some conditions of art criticism inSoutheast Asia 352Lee Weng-Choy24 From the decolonial and the postmigrant and back to aliens andmulticulturalism 366Nikos PapastergiadisConclusion 37725 Conclusion: a future anterior to multicultural criticality 378Fazal Rizvi, Paula Muraca and Nikos Papastergiadis

‘The scope of The Elgar Companion to the Arts and Global Multiculturalism is remarkable.’