Del i serien New Directions in Latino American Cultures

Electronic Literature in Latin America

From Text to Hypertext

Inbunden, Engelska, 2019

AvClaire Taylor

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This book explores one of the most exciting new developments in the literary field to emerge over recent decades: the growing body of work known as ‘electronic literature’, comprising literary works that take advantage of the capabilities of digital technologies in their enactment. Focussing on six leading authors within Latin(o) America whose works have proved pioneering in the development of these new literary forms, the book proposes a three-fold approach of aesthetics, technologics, and ethics, as a framework for analyzing digital literature.

Produktinformation

Utgivningsdatum2019-12-09
Mått148 x 210 x 18 mm
Vikt510 g
FormatInbunden
SpråkEngelska
SerieNew Directions in Latino American Cultures
Antal sidor272
FörlagSpringer Nature Switzerland AG
ISBN9783030309879

Tillhör följande kategorier

Litteraturvetenskap inom Skönlitteratur
Medievetenskap inom Samhälle och politik
Samhälle och kultur inom Samhälle och politik
Kulturvetenskap inom Samhälle och politik

Claire Taylor is Gilmour Chair of Spanish and Professor of Hispanic Studies at the University of Liverpool, UK. She is a specialist in Latin American culture, with a particular interest in the literary and cultural genres being developed online by Latin(o) Americans. She has published numerous articles and book chapters on these topics, is co-author of the recent volume Latin American Identity in Online Cultural Production (2012), and author of the monograph Place and Politics in Latin America Digital Culture (2014). She is currently working on an AHRC-funded project focusing on memory, victims and representation of the Colombian conflict.

Introduction.- 1. Revitalising Legacy Media: Carlos Labbé’s Pentagonal: incluidos tú y yo (2001) (Chile).- 2. Foregrounding Fragments and Gaps: Marina Zerbarini’s Eveline, fragmentos de una respuesta (2004) (Argentina).- 3. Re-animating the Whodunnit: Jaime Alejandro Rodríguez’s: Golpe de Gracia (2009) (Colombia).- 4. Re-writing the Classics and Animating the Baroque: Belén Gache’s Góngora Wordtoys (2011) and Radical karaoke (2011) (Spain-Argentina).- 5. Re-thinking the Aphorism: Eduardo Navas’s Mínima Moralia Redux (2011-to date), (US-El Salvador).- 6. Critiquing Web Structure and the Circulation of Images: Doménico Chiappe’s Hotel Minotauro (2013-2015).- Conclusion.