Edith Wharton: Sex, Satire and the Older Woman

AVRIL HORNERis Emeritus Professor of English, Kingston University, UK. She is the co-author, with Sue Zlosnik, of Gothic and the Comic Turn (2005), Daphne du Maurier, Writing, Identity and the Gothic Imagination (1998), Landscapes of Desire: Metaphors in Modern Women's Fiction (1990); editor of European Gothic: A Spirited Exchange 1760-1960 (2002); co-editor of Iris Murdoch and Morality (2010); Le Gothic: Influences and Appropriations in Europe and America (2008) and Body Matters: Feminism, Textuality, Corporeality (1990). JANET BEERis Vice Chancellor of Oxford Brookes University, UK. She is the author of Edith Wharton: Traveller in the Land of Letters (1990), Kate Chopin, Edith Wharton and Charlotte Perkins Gilman: Studies in Short Fiction (1997), Edith Wharton (2002); editor of The Cambridge Companion to Kate Chopin (2008); co-editor of Special Relationships: Anglo-American Antagonisms and Affinities, 1854-1936 (2002), American Feminism: Key Source Documents 1848-1920 (2002), The Awakening: A Sourcebook (2004), Edith Wharton's 'The House of Mirth' (2007).

• Acknowledgements Introduction The Mother's Recompense Twilight Sleep The Children Hudson River Bracketed The Gods Arrive The BuccaneersConclusion Bibliography Index

"Edith Wharton: Sex, Satire, and the Older Woman is rich with observations regarding Wharton's final six novels and does a commendable job of claiming an important place for these texts in the Whartonian canon. Horner and Beer provide insightful readings of Wharton's work that will prove useful to anyone seeking to understand Wharton's place in modern literature and as a champion of expanded definitions of acceptable femininity in the early 20th century." - Studies in American Naturalism"The present book is aimed at justifying the artistry in several late Wharton books. The nature of the book's contents should be attractive to anyone who enjoys Wharton's fiction, and who may not be as familiar with some of the works critiqued as with antecedent Wharton titles . . . Not only do they bring forward the readability of Wharton's later fiction, they do so in what are thoroughly readable viewpoints . . . the command of Wharton scholarship is deftly blended with ideas found in recent theoretical discourse." - South Central Review