The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network.
Ágota RÉVÉSZ studied sinology and stage direction. She researches Chinese theatre, cultural diplomacy, narratives and media.
Chapter 1: Xiqu and Cultural Identity.- Chapter 2: Mobility Dynamics.- Chapter 3: Narratives.- Chapter 4: The National Essence: Jingju.- Chapter 5: The Mother of All Xiqus: Kunqu.