Peter Tschmuck is Professor for Cultural Institutions Studies at the University of Music and Performing Arts, Vienna. He also teaches courses at the University of Economics and Business Administration in Vienna, at the Danube-University in Krems, the University of Music, Drama and Media in Hanover, and at the Zeneipari Hivatal in Budapest. His books include Creativity and Innovation in the Music Industry (2nd edn, 2012) and Music Business and the Experience Economy (2013). He is Editor of the International Journal of Music Business Research.

• Introduction1. A short economic history of the music business2. Microeconomics of music: music as an economic good3. The economics of music copyright4. Music publishing5. Sound recording6. Live music7. Secondary music markets8. Music labour markets9. Economics of the digital music businessConclusionGlossary

Comprehensive and well documented, drawing on the author's prodigious knowledge of the industry.

Peter Tschmuck is Professor for Cultural Institutions Studies at the University of Music and Performing Arts, Vienna. He also teaches courses at the University of Economics and Business Administration in Vienna, at the Danube-University in Krems, the University of Music, Drama and Media in Hanover, and at the Zeneipari Hivatal in Budapest. His books include Creativity and Innovation in the Music Industry (2nd edn, 2012) and Music Business and the Experience Economy (2013). He is Editor of the International Journal of Music Business Research.

• Introduction1. A short economic history of the music business2. Microeconomics of music: music as an economic good3. The economics of music copyright4. Music publishing5. Sound recording6. Live music7. Secondary music markets8. Music labour markets9. Economics of the digital music businessConclusionGlossary

Comprehensive and well documented, drawing on the author's prodigious knowledge of the industry.

Peter Tschmuck is Professor for Cultural Institutions Studies at the University of Music and Performing Arts, Vienna. He also teaches courses at the University of Economics and Business Administration in Vienna, at the Danube-University in Krems, the University of Music, Drama and Media in Hanover, and at the Zeneipari Hivatal in Budapest. His books include Creativity and Innovation in the Music Industry (2nd edn, 2012) and Music Business and the Experience Economy (2013). He is Editor of the International Journal of Music Business Research.

• Introduction1. A short economic history of the music business2. Microeconomics of music: music as an economic good3. The economics of music copyright4. Music publishing5. Sound recording6. Live music7. Secondary music markets8. Music labour markets9. Economics of the digital music businessConclusionGlossary

Comprehensive and well documented, drawing on the author's prodigious knowledge of the industry.