Early Printed Music and Material Culture in Central and Western Europe

Inbunden, Engelska, 2021

Av Andrea Lindmayr-Brandl, Grantley McDonald, Austria) Lindmayr-Brandl, Andrea (University of Salzburg, Austria) McDonald, Grantley (University of Salzburg

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This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

Produktinformation

Utgivningsdatum2021-05-31
Mått174 x 246 x 27 mm
Vikt848 g
FormatInbunden
SpråkEngelska
SerieMusic and Material Culture
Antal sidor334
FörlagTaylor & Francis Ltd
ISBN9780367359539

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Introduction: music among the bibliographic disciplinesKate van OrdenPART IType1 The pioneers of mensural music printing in German-speaking lands: networks and type repertoriaAndrea Lindmayr-Brandl2 Printed music papers: research opportunities and challengesJohn MilsomPART IINotes3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)Beat Föllmi4 Reading the Melopoiae (1507): a search for its owners and usersElisabeth GiselbrechtPART IIIMusic printing at Wittenberg5 Power and ambition: Georg Rhau’s strategies for music publishingMoritz Kelber6 Three Libri missarum of early Lutheran Germany: some reflections on their repertoryCarlo BosiPART IVMusic printing in the Low Countries7 A date with Tylman Susato: reconsidering the printer’s editionsMartin Ham8 The music printers Madeleine and Marie Phalèse in Antwerp, 1629–1675Maria SchildtPART VPrinting privileges9 Privileges for printed music in the Holy Roman Empire during the sixteenth centuryGrantley McDonald and Stephen Rose 10 ‘Unbelievably hard work’: Marin Mersenne’s Harmonie universelle at the printersLeendert van der MiesenPART VI The book trade11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556Royston Gustavson12 The Officina Plantiniana as publishers and distributors of music, 1578–1600Louisa Hunter-Bradley13 Competition, collaboration and consumption: early music printing in SevilleIain Fenlon