Andrea Lindmayr-Brandl is full professor of music history at the University of Salzburg. Grantley McDonald is a postdoctoral researcher in the Faculty of Music, University of Oxford.

• Introduction: music among the bibliographic disciplinesKate van OrdenPART IType1 The pioneers of mensural music printing in German-speaking lands: networks and type repertoriaAndrea Lindmayr-Brandl2 Printed music papers: research opportunities and challengesJohn MilsomPART IINotes3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)Beat Föllmi4 Reading the Melopoiae (1507): a search for its owners and usersElisabeth GiselbrechtPART IIIMusic printing at Wittenberg5 Power and ambition: Georg Rhau’s strategies for music publishingMoritz Kelber6 Three Libri missarum of early Lutheran Germany: some reflections on their repertoryCarlo BosiPART IVMusic printing in the Low Countries7 A date with Tylman Susato: reconsidering the printer’s editionsMartin Ham8 The music printers Madeleine and Marie Phalèse in Antwerp, 1629–1675Maria SchildtPART VPrinting privileges9 Privileges for printed music in the Holy Roman Empire during the sixteenth centuryGrantley McDonald and Stephen Rose 10 ‘Unbelievably hard work’: Marin Mersenne’s Harmonie universelle at the printersLeendert van der MiesenPART VI The book trade11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556Royston Gustavson12 The Officina Plantiniana as publishers and distributors of music, 1578–1600Louisa Hunter-Bradley13 Competition, collaboration and consumption: early music printing in SevilleIain Fenlon

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Andrea Lindmayr-Brandl is full professor of music history at the University of Salzburg. Grantley McDonald is a postdoctoral researcher in the Faculty of Music, University of Oxford.

• Introduction: music among the bibliographic disciplinesKate van OrdenPART IType1 The pioneers of mensural music printing in German-speaking lands: networks and type repertoriaAndrea Lindmayr-Brandl2 Printed music papers: research opportunities and challengesJohn MilsomPART IINotes3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)Beat Föllmi4 Reading the Melopoiae (1507): a search for its owners and usersElisabeth GiselbrechtPART IIIMusic printing at Wittenberg5 Power and ambition: Georg Rhau’s strategies for music publishingMoritz Kelber6 Three Libri missarum of early Lutheran Germany: some reflections on their repertoryCarlo BosiPART IVMusic printing in the Low Countries7 A date with Tylman Susato: reconsidering the printer’s editionsMartin Ham8 The music printers Madeleine and Marie Phalèse in Antwerp, 1629–1675Maria SchildtPART VPrinting privileges9 Privileges for printed music in the Holy Roman Empire during the sixteenth centuryGrantley McDonald and Stephen Rose 10 ‘Unbelievably hard work’: Marin Mersenne’s Harmonie universelle at the printersLeendert van der MiesenPART VI The book trade11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556Royston Gustavson12 The Officina Plantiniana as publishers and distributors of music, 1578–1600Louisa Hunter-Bradley13 Competition, collaboration and consumption: early music printing in SevilleIain Fenlon

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Andrea Lindmayr-Brandl is full professor of music history at the University of Salzburg. Grantley McDonald is a postdoctoral researcher in the Faculty of Music, University of Oxford.

• Introduction: music among the bibliographic disciplinesKate van OrdenPART IType1 The pioneers of mensural music printing in German-speaking lands: networks and type repertoriaAndrea Lindmayr-Brandl2 Printed music papers: research opportunities and challengesJohn MilsomPART IINotes3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)Beat Föllmi4 Reading the Melopoiae (1507): a search for its owners and usersElisabeth GiselbrechtPART IIIMusic printing at Wittenberg5 Power and ambition: Georg Rhau’s strategies for music publishingMoritz Kelber6 Three Libri missarum of early Lutheran Germany: some reflections on their repertoryCarlo BosiPART IVMusic printing in the Low Countries7 A date with Tylman Susato: reconsidering the printer’s editionsMartin Ham8 The music printers Madeleine and Marie Phalèse in Antwerp, 1629–1675Maria SchildtPART VPrinting privileges9 Privileges for printed music in the Holy Roman Empire during the sixteenth centuryGrantley McDonald and Stephen Rose 10 ‘Unbelievably hard work’: Marin Mersenne’s Harmonie universelle at the printersLeendert van der MiesenPART VI The book trade11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556Royston Gustavson12 The Officina Plantiniana as publishers and distributors of music, 1578–1600Louisa Hunter-Bradley13 Competition, collaboration and consumption: early music printing in SevilleIain Fenlon

Select Guide Rating