Cassander L. Smith is Associate Professor of English at the University of Alabama, USA. Her publications include a monograph, Black Africans in the British Imagination: English Narratives of the Early Atlantic World (2016), and a co-edited volume, Teaching with Tension: Race, Reality, and Resistance in the Classroom (forthcoming).Nicholas R. Jones is Assistant Professor of Spanish and Africana Studies at Bucknell University, USA. His publications include the forthcoming monograph Staging Habla de negros: Radical Performances of the African Diaspora in Early Modern Spain and articles in the Journal for Early Modern Cultural Studies, Arizona Journal of Hispanic Cultural Studies, and Hispanic Review, among others.Miles P. Grier is Assistant Professor of English at Queens College, CUNY, USA. He is finishing a book manuscript on Othello and the racialization of Atlantic literacy. His publications include essays in The William and Mary Quarterly, Politics and Culture, and The Journal of Popular Music Studies, among others.

• 1. Introduction: The Contours of a Field (Cassander L. Smith, Nicholas R. Jones, Miles P. Grier).- Part I. Space and Field.- 2. Maroons in the Montes: Towards a Political Ecology of Marronage in the Sixteenth ­Century Caribbean (Gabriel de Avilez Rocha).- 3. Women/Animals/Slaves: Race and Sexuality in Wycherley’s The Country Wife (Derrick Higginbotham).- Part II. Archives and Methods.- 4. Choreographies of Trans-Atlantic Primitivity: Sub-Saharan Isolation in Black Dance Historiography (Esther J. Terry).- 5. Ventriloquizing Blackness: Citing Enslaved Africans in the Caribbean, 1655-1685 by Ashley Williard.- 6. “Candy No Witch in Her Country”: What One Enslaved Woman’s Testimony During the Salem Witch Trials Can Tell Us About the Origins of Early American Literature (Cassander L. Smith).- Part III. Period Tensions.- 7. “Is Black So Base a Hue?”: Black Life Matters in Shakespeare’s Titus Andronicus (David Sterling Brown).- 8. “[L]ooking at me my body across distances”: Toni Morrison’s A Mercy and Seventeenth-Century European Religious Concepts of Race (Lauren Shook).- 9. “Do you love, master?”: The Erotics and Politics of Servitude in The Tempest (Rebecca Kumar).- Part IV. Early Modern Black Lives Matter: A Critical Roundtable.- 10. Necrocapitalism and the Early Modern Iberian Black Diaspora as Academic Field (John Beusterien).- 11. Debt Collecting, Disappearance, Necromancy: A Response to John Beusterien (Nicholas R. Jones).- 12. Ain’t She a Shakespearean: Truth, Giovanni, and Shakespeare (Dennis Austin Britton).- 13. The Color of Professionalism: A Response to Dennis Britton (Miles P. Grier).

“Black-inflected review of texts and contexts in the early modern period affords us a healthy point of departure for reassessing the field as it has been constructed. The anthology will continue the work of opening up different perspectives on the contradictions, omissions, and effacements of the world we have inherited, and provide a fuller understanding of how it came to be.” (Jerome C. Branche, Bulletin of the Comediantes, Vol. 73 (2), 2021)

Cassander L. Smith is Associate Professor of English at the University of Alabama, USA. Her publications include a monograph, Black Africans in the British Imagination: English Narratives of the Early Atlantic World (2016), and a co-edited volume, Teaching with Tension: Race, Reality, and Resistance in the Classroom (forthcoming).Nicholas R. Jones is Assistant Professor of Spanish and Africana Studies at Bucknell University, USA. His publications include the forthcoming monograph Staging Habla de negros: Radical Performances of the African Diaspora in Early Modern Spain and articles in the Journal for Early Modern Cultural Studies, Arizona Journal of Hispanic Cultural Studies, and Hispanic Review, among others.Miles P. Grier is Assistant Professor of English at Queens College, CUNY, USA. He is finishing a book manuscript on Othello and the racialization of Atlantic literacy. His publications include essays in The William and Mary Quarterly, Politics and Culture, and The Journal of Popular Music Studies, among others.

• 1. Introduction: The Contours of a Field (Cassander L. Smith, Nicholas R. Jones, Miles P. Grier).- Part I. Space and Field.- 2. Maroons in the Montes: Towards a Political Ecology of Marronage in the Sixteenth ­Century Caribbean (Gabriel de Avilez Rocha).- 3. Women/Animals/Slaves: Race and Sexuality in Wycherley’s The Country Wife (Derrick Higginbotham).- Part II. Archives and Methods.- 4. Choreographies of Trans-Atlantic Primitivity: Sub-Saharan Isolation in Black Dance Historiography (Esther J. Terry).- 5. Ventriloquizing Blackness: Citing Enslaved Africans in the Caribbean, 1655-1685 by Ashley Williard.- 6. “Candy No Witch in Her Country”: What One Enslaved Woman’s Testimony During the Salem Witch Trials Can Tell Us About the Origins of Early American Literature (Cassander L. Smith).- Part III. Period Tensions.- 7. “Is Black So Base a Hue?”: Black Life Matters in Shakespeare’s Titus Andronicus (David Sterling Brown).- 8. “[L]ooking at me my body across distances”: Toni Morrison’s A Mercy and Seventeenth-Century European Religious Concepts of Race (Lauren Shook).- 9. “Do you love, master?”: The Erotics and Politics of Servitude in The Tempest (Rebecca Kumar).- Part IV. Early Modern Black Lives Matter: A Critical Roundtable.- 10. Necrocapitalism and the Early Modern Iberian Black Diaspora as Academic Field (John Beusterien).- 11. Debt Collecting, Disappearance, Necromancy: A Response to John Beusterien (Nicholas R. Jones).- 12. Ain’t She a Shakespearean: Truth, Giovanni, and Shakespeare (Dennis Austin Britton).- 13. The Color of Professionalism: A Response to Dennis Britton (Miles P. Grier).

“Black-inflected review of texts and contexts in the early modern period affords us a healthy point of departure for reassessing the field as it has been constructed. The anthology will continue the work of opening up different perspectives on the contradictions, omissions, and effacements of the world we have inherited, and provide a fuller understanding of how it came to be.” (Jerome C. Branche, Bulletin of the Comediantes, Vol. 73 (2), 2021)

Cassander L. Smith is Associate Professor of English at the University of Alabama, USA. Her publications include a monograph, Black Africans in the British Imagination: English Narratives of the Early Atlantic World (2016), and a co-edited volume, Teaching with Tension: Race, Reality, and Resistance in the Classroom (forthcoming).Nicholas R. Jones is Assistant Professor of Spanish and Africana Studies at Bucknell University, USA. His publications include the forthcoming monograph Staging Habla de negros: Radical Performances of the African Diaspora in Early Modern Spain and articles in the Journal for Early Modern Cultural Studies, Arizona Journal of Hispanic Cultural Studies, and Hispanic Review, among others.Miles P. Grier is Assistant Professor of English at Queens College, CUNY, USA. He is finishing a book manuscript on Othello and the racialization of Atlantic literacy. His publications include essays in The William and Mary Quarterly, Politics and Culture, and The Journal of Popular Music Studies, among others.

• 1. Introduction: The Contours of a Field (Cassander L. Smith, Nicholas R. Jones, Miles P. Grier).- Part I. Space and Field.- 2. Maroons in the Montes: Towards a Political Ecology of Marronage in the Sixteenth ­Century Caribbean (Gabriel de Avilez Rocha).- 3. Women/Animals/Slaves: Race and Sexuality in Wycherley’s The Country Wife (Derrick Higginbotham).- Part II. Archives and Methods.- 4. Choreographies of Trans-Atlantic Primitivity: Sub-Saharan Isolation in Black Dance Historiography (Esther J. Terry).- 5. Ventriloquizing Blackness: Citing Enslaved Africans in the Caribbean, 1655-1685 by Ashley Williard.- 6. “Candy No Witch in Her Country”: What One Enslaved Woman’s Testimony During the Salem Witch Trials Can Tell Us About the Origins of Early American Literature (Cassander L. Smith).- Part III. Period Tensions.- 7. “Is Black So Base a Hue?”: Black Life Matters in Shakespeare’s Titus Andronicus (David Sterling Brown).- 8. “[L]ooking at me my body across distances”: Toni Morrison’s A Mercy and Seventeenth-Century European Religious Concepts of Race (Lauren Shook).- 9. “Do you love, master?”: The Erotics and Politics of Servitude in The Tempest (Rebecca Kumar).- Part IV. Early Modern Black Lives Matter: A Critical Roundtable.- 10. Necrocapitalism and the Early Modern Iberian Black Diaspora as Academic Field (John Beusterien).- 11. Debt Collecting, Disappearance, Necromancy: A Response to John Beusterien (Nicholas R. Jones).- 12. Ain’t She a Shakespearean: Truth, Giovanni, and Shakespeare (Dennis Austin Britton).- 13. The Color of Professionalism: A Response to Dennis Britton (Miles P. Grier).

“Black-inflected review of texts and contexts in the early modern period affords us a healthy point of departure for reassessing the field as it has been constructed. The anthology will continue the work of opening up different perspectives on the contradictions, omissions, and effacements of the world we have inherited, and provide a fuller understanding of how it came to be.” (Jerome C. Branche, Bulletin of the Comediantes, Vol. 73 (2), 2021)