Ana Corbalán is Associate Professor of Spanish at the University of Alabama. She holds her Ph.D. from The University of North Carolina at Chapel Hill. Her books include El cuerpo transgresor en la narrativa española contemporánea (Libertarias, 2009) and Memorias fragmentadas: Mirada transatlántica a la resistencia femenina contra las dictaduras, which is forthcoming with Iberoamericana/Vervuert in 2015.Lorraine Ryan is a Birmingham Fellow in the University of Birmingham, UK. She has published on the sociology of memory and representation of memory, gender and spatiality in contemporary Spanish culture in journals such as Hispania, Bulletin of Spanish Studies, and Memory Studies.

• CONTENTSAcknowledgmentsList of FiguresLists of contributorsIntroduction: The Reconfiguration of MasculinitySection I: The Forge and Cultural Subversion of Francoist MasculinityChapter One: Old Traditions and Revolutionary Tendencies by José ColmeiroChapter Two: The Poetics of Defeat in Alberto Méndez’s Los girasoles ciegos by Ellen MayockChapter Three: Masculinity and Historical Memory by Olga BezhanovaChapter Four: Comic Masculinities by Lisa Renée DiGiovanniChapter Five: Memory and Masculinity in Almudena Grandes's El corazón helado by Lorraine RyanSection II: The Reconfiguration of Hegemonic MasculinityChapter Six: Who’s Your Daddy? by Jorge PérezChapter Seven: Dwarves, Bullfighters, and Other Disenchanted Masculinities in Pablo Berger’s Blancanieves by Nina MolinaroChapter Eight: The Recession in Contemporary Spanish Cinema by Alicia Castillo VillanuevaChapter Nine: ReinFORCEment of Masculinity through Violence by Victoria L. KetzChapter Ten: Transnational Telenovela and Modern Masculinities by Paul Julian SmithSection III: Regional Emergent Masculinities Chapter Eleven: Muslim Masculinities in the Spaces of Najat El Hachmi’s El último patriarca by María DiFrancescoChapter Twelve: Declining Hypermasculinity in Texts by Catalan-Moroccan Authors by Miquel PomarChapter Thirteen: Soundtrack of a Generation by Maria Van LiewChapter Fourteen: Spanish Fathers, Basque Sons by H. Rosi SongChapter Fifteen: Hegemonic Masculinities and Staged Authenticity in Ocho apellidos vascos by Alfredo Martínez ExpósitoChapter Sixteen: Identifying the Male: Language,

Ana Corbalán is Associate Professor of Spanish at the University of Alabama. She holds her Ph.D. from The University of North Carolina at Chapel Hill. Her books include El cuerpo transgresor en la narrativa española contemporánea (Libertarias, 2009) and Memorias fragmentadas: Mirada transatlántica a la resistencia femenina contra las dictaduras, which is forthcoming with Iberoamericana/Vervuert in 2015.Lorraine Ryan is a Birmingham Fellow in the University of Birmingham, UK. She has published on the sociology of memory and representation of memory, gender and spatiality in contemporary Spanish culture in journals such as Hispania, Bulletin of Spanish Studies, and Memory Studies.

• CONTENTSAcknowledgmentsList of FiguresLists of contributorsIntroduction: The Reconfiguration of MasculinitySection I: The Forge and Cultural Subversion of Francoist MasculinityChapter One: Old Traditions and Revolutionary Tendencies by José ColmeiroChapter Two: The Poetics of Defeat in Alberto Méndez’s Los girasoles ciegos by Ellen MayockChapter Three: Masculinity and Historical Memory by Olga BezhanovaChapter Four: Comic Masculinities by Lisa Renée DiGiovanniChapter Five: Memory and Masculinity in Almudena Grandes's El corazón helado by Lorraine RyanSection II: The Reconfiguration of Hegemonic MasculinityChapter Six: Who’s Your Daddy? by Jorge PérezChapter Seven: Dwarves, Bullfighters, and Other Disenchanted Masculinities in Pablo Berger’s Blancanieves by Nina MolinaroChapter Eight: The Recession in Contemporary Spanish Cinema by Alicia Castillo VillanuevaChapter Nine: ReinFORCEment of Masculinity through Violence by Victoria L. KetzChapter Ten: Transnational Telenovela and Modern Masculinities by Paul Julian SmithSection III: Regional Emergent Masculinities Chapter Eleven: Muslim Masculinities in the Spaces of Najat El Hachmi’s El último patriarca by María DiFrancescoChapter Twelve: Declining Hypermasculinity in Texts by Catalan-Moroccan Authors by Miquel PomarChapter Thirteen: Soundtrack of a Generation by Maria Van LiewChapter Fourteen: Spanish Fathers, Basque Sons by H. Rosi SongChapter Fifteen: Hegemonic Masculinities and Staged Authenticity in Ocho apellidos vascos by Alfredo Martínez ExpósitoChapter Sixteen: Identifying the Male: Language,

Ana Corbalán is Associate Professor of Spanish at the University of Alabama. She holds her Ph.D. from The University of North Carolina at Chapel Hill. Her books include El cuerpo transgresor en la narrativa española contemporánea (Libertarias, 2009) and Memorias fragmentadas: Mirada transatlántica a la resistencia femenina contra las dictaduras, which is forthcoming with Iberoamericana/Vervuert in 2015.Lorraine Ryan is a Birmingham Fellow in the University of Birmingham, UK. She has published on the sociology of memory and representation of memory, gender and spatiality in contemporary Spanish culture in journals such as Hispania, Bulletin of Spanish Studies, and Memory Studies.

• CONTENTSAcknowledgmentsList of FiguresLists of contributorsIntroduction: The Reconfiguration of MasculinitySection I: The Forge and Cultural Subversion of Francoist MasculinityChapter One: Old Traditions and Revolutionary Tendencies by José ColmeiroChapter Two: The Poetics of Defeat in Alberto Méndez’s Los girasoles ciegos by Ellen MayockChapter Three: Masculinity and Historical Memory by Olga BezhanovaChapter Four: Comic Masculinities by Lisa Renée DiGiovanniChapter Five: Memory and Masculinity in Almudena Grandes's El corazón helado by Lorraine RyanSection II: The Reconfiguration of Hegemonic MasculinityChapter Six: Who’s Your Daddy? by Jorge PérezChapter Seven: Dwarves, Bullfighters, and Other Disenchanted Masculinities in Pablo Berger’s Blancanieves by Nina MolinaroChapter Eight: The Recession in Contemporary Spanish Cinema by Alicia Castillo VillanuevaChapter Nine: ReinFORCEment of Masculinity through Violence by Victoria L. KetzChapter Ten: Transnational Telenovela and Modern Masculinities by Paul Julian SmithSection III: Regional Emergent Masculinities Chapter Eleven: Muslim Masculinities in the Spaces of Najat El Hachmi’s El último patriarca by María DiFrancescoChapter Twelve: Declining Hypermasculinity in Texts by Catalan-Moroccan Authors by Miquel PomarChapter Thirteen: Soundtrack of a Generation by Maria Van LiewChapter Fourteen: Spanish Fathers, Basque Sons by H. Rosi SongChapter Fifteen: Hegemonic Masculinities and Staged Authenticity in Ocho apellidos vascos by Alfredo Martínez ExpósitoChapter Sixteen: Identifying the Male: Language,