Dynamic Fair Dealing

Rosemary J. Coombe is Canada Research Chair in Law, Communication, and Culture in the Department of Social Sciences at York University and an internationally known legal anthropologist. Darren Wershler is Concordia University Research Chair in Media and Contemporary Literature in Montreal and a published poet. Martin Zeilinger is SSHRC Banting Postdoctoral Fellow in Law and Culture at York University.

• INTRODUCING Dynamic Fair Dealing: Creating Canadian Digital CultureRosemary J. Coombe (York University, Canada Research Chair in Law, Communication and Culture), Darren Wershler (Concordia University Research Chair in Media & Contemporary Literature) and Martin Zeilinger (Banting Postdoctoral Fellow in Law and Culture, York University).A. THE CANADIAN COPYRIGHT CONTEXTI. Provocations: Fair Dealing as Right, Speech, Duty, and Practice Copyright and Freedom of Expression: Fair Dealing Between Work and PlayBita Amani (Queens University, Law School).From the Right to Copy to Practices of CopyingMarcus Boon (York University, English).II. Recognizing the Canadian Public Domain The Canadian Public Domain: What, Where, and to What End?Carys Craig (York University, Osgoode Law School).Dynamic Fair Dealing with Orphan Works: Lessons from “Real” PropertRen Bucholz (Lenczner Slaght Royce Smith Griffin LLP )Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting CorporationKyle Asquith (Western University, Information & Media Studies).III. Infrastructures for Fair Dealing Resisting Enclosure: Licenses, Authorship, and the CommonsJohn Maxwell (Simon Fraser University, Publishing).Weaving an Open Web: Innovation and Ethics in the Virtual CommonsEliot Che (Web Designer, Cultural Shifts).“This Content is Not Available in Your Region”: Geo-Blocking Culture in CanadaPete Urquhart (Wilfrid Laurier University, Communications) and Ira Wagman (Carleton University, Journalism & Communication).Net Neutrality and the Threat to Open Cultural ExpressionSteve Anderson (OpenMedia.ca).IV. Experiments in Pedagogy and Diversity Copyright and Access to Media for People with Perceptual DisabilitiesJ. P. Udo (Ryerson University, Centre for Learning Technologies) and Deborah Fels (Ryerson University, Centre for Learning Technologies).If You’re Asking, It’s not Fair Dealing: Animating Canadian Copyright Issues in a ‘Read-Write’ ClassroomMatt Soar (Concordia University, Communications).Hacking Education: How Openness and Sharing Can Transform LearningAlec V. Couros (IT Coordinator, University of Regina, Faculty of Education).B. MEDIATIONSI. Digital Publishing Open Access Publishing and Academic ResearchRowland Lorimer (Simon Fraser University, Canadian Centre for Studies in Publishing).Open Access Mandates and the ‘Fair Dealing’ ButtonArthur Sale (University of Tasmania, Computer Science), Marc Couture (UniversitÉ du QuÉbec À MontrÉal, TÉlÉ-universitÉ), Eloy Rodrigues (Universidade do Minho, Portugal, Documentation Services), Leslie Carr (University of Southampton, School of Electronics and Computer Science) and Stevan Harnad (UniversitÉ du Quebec À Montreal, Canada Research Chair in Cognitive Science).II. Principles and Practices of Heritage Management The Evolution of Cultural Heritage Ethics via Human Rights NormsRosemary J. Coombe (Canada Research Chair in Law, Communication and Culture, York University) Nicole Aylwin (York University, Communication and Culture).Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public DomainGeorge Nicholas (Simon Fraser University, Anthropology).Cultural Diversity: A Central Dimension of Canadian Cultural Heritage?Nicole Aylwin (York University, Communication and Culture).III. The Work of Poetics Parodists' Rights and Copyright in a Digital CanadaGraham Reynolds (Dalhousie University, Law).Robin Hood of the Avant-GardeKenneth Goldsmith (University of Pennsylvania, Creative Writing).Remixing bpNichol: 'Direct Dealing' and Recombinatory Art PracticesJustin Stephenson (Trace Pictures Animation and Design).C. MAKING OUR DIGITAL HERITAGE A DYNAMIC ONEI. Documenting Pasts and Assessing Virtual Futures Copyright Dramas: Theatre Archives and Collections OnlineDavid Meurer (York University, Communication and Culture).Streaming a Digital Scream: Archiving Toronto’s Barbaric YawpSuzanne Zelazo (Ryerson University, English).The NFB, Canada’s Experimental Documentary Tradition and Found FuturesMartin Zeilinger (York University, Communication and Culture) and ElHorwatt (YorkUniversity, Film and Media).II. Recombinant Creativity i. Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Licensed SoundMartin Zeilinger (York University, Communication and Culture).'My Real’ll Make Yours a Rental': Hip Hop and Canadian CopyrightAlexandra Boutros (Wilfrid Laurier University, Cultural Studies).Friction over Fan FictionGrace Westcott (Westcott Law, Toronto).Child-Generated Content: Children’s Authorship and Interpretive Practices in Digital Gaming CulturesSara M. Grimes (University of Toronto, Faculty of Information).AFTERWORD: REFLECTIONSDeal with itLaura Murray (Queens University, English).Pull up the stakes and fill in the ditches: the materiality of intellectual propertyDarin Barney (McGill University, Art History and Communications).REFERENCES