Del i serien Routledge Advances in Theatre & Performance Studies

Dynamic Cartography

Body, Architecture, and Performative Space

Inbunden, Engelska, 2020

AvMaría José Martínez Sánchez

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Dynamic Cartography analyses the works of Rudolf Laban, Lawrence Halprin, Anne Bogart, Adolphe Appia, Cedric Price, Joan Littlewood, and Hélio Oiticica. They are practitioners who have worked on different areas of enquiry from the existing relations between body and space through movement, events, or actions but whose work has never been presented from this perspective or in this context. The work and methodologies set up by these practitioners enable us to develop a practice-based exploration. Some of the experiments in the book – Micro-actions I and II – explore the presence of the body in the space. In Kinetography I and II, Laban’s dance notation system – kinetography – is used to create these dynamic cartographies. Kinetography III proposes the analysis of an urban public space through the transcription of the body movement contained on it. The series Dynamic Cartographies I, II, and III analyses movement in geometrically controlled spaces through the Viewpoints techniques by Anne Bogart. Finally, Wooosh! and Trellick Tales present two projects in which performance is applied in order to analyse and understand urban and architectural space.

Produktinformation

Utgivningsdatum2020-07-29
Mått156 x 234 x 15 mm
Vikt460 g
FormatInbunden
SpråkEngelska
SerieRoutledge Advances in Theatre & Performance Studies
Antal sidor170
FörlagTaylor & Francis Ltd
ISBN9780367266202

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Konstformer inom Kultur
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Teater inom Kultur

María José Martínez Sánchez is a lecturer the Birmingham School of Architecture and Design (BCU), UK, and a researcher at the Centre for Interdisciplinary Performing Arts at the Royal Birmingham Conservatoire, UK. Her work has been published in international journals and presented at the Dance Biennale of Venice, the Biennale of Architecture in Venice, the Spanish National Theatre (CDN), and the Prague Quadrennial of Scenography.

ContentsList of illustrationsAcknowledgementsIntroductionChapter 1: Body and the surrounding space: scoring body movementIntroduction: spatial body ritualsThe representation of movementRudolf Laban: Kinetography as a spatial scoring systemScores: the representation of processesScoring: mapping spatial processesExperimentsKinetography I: movement notation for one bodyKinetography II: movement scores on stageKinetography III: movement scores in complex environmentsFrom surrounding space to geometryChapter 2: Body and Geometry: Contemporary Rituals Introduction: performativity and ritualBody, space, and geometryThe Laboratory of Movement Study – L.E.M. (Le Laboratoire d’Estude du Mouvement)Viewpoints: a spatial composition toolExperimentsDynamic Cartography I, II, and IIIFrom geometry to the scenic spaceChapter 3: Body and Scenic Space: Ritual SpacesIntroduction: the origins of spaceReflections on spaceThe Work of Living Art: radical proposals for the mise- en- scène of Wagnerian dramaThe body in the theatrical space: the Greek theatreAtmospheresExperimentsMicro-actions in GreeceStrings, Old Vinegar Factory (2015, Limassol, Cyprus)From scenic space to architectural programmeChapter 4: Body and Architecture: Spatial DramaturgiesIntroduction: the architectural scriptOnce upon a time, a laboratory of fun Event and situation The art of actionPerformative architecture Breaking the architectural fourth wallExperimentsWooosh! (Winchester, 2016)From programme to landscapeChapter 5: Body and Landscape: Performativity and Social SpaceIntroduction: urban anthropophagyThe representation of landscapeCorpografias (corpographies) and corpocidade (corpocity) The body as a means of artistic expressionEnvironmental art and ThirdspaceExperimentTrellick Tales: the Thirdspace of Trellick TowerFrom landscape to the surrounding space Conclusions: towards the creation of a dynamic cartography – an interdisciplinary methodology