Drama of the Double

Katherine H. Burkman is Professor Emerita in the Department of English at The Ohio State University, USA. She has published eleven books and numerous articles on modern drama, and has also published various plays, poems, and short stories. She founded and served as Artistic Director of Women at Play for twelve years, is presently a member of Wild Women Writing, and continues to act and direct.

• Table of ContentsPrefacePrelude: The Stories, by Jeredith MerrinAcknowledgments1. The Drama of the Double2. Narcissus and Doubling: Conrad, Shepard, Mamet3. Narcissus and Dionysus: The Bacchae and The Crying Game4. Harold Pinter's Death in Venice and Life in Victoria Station5. Hedda Gabler, Jules and Jim and Taxi Driver6. Orestes: Aeschylus and O'Neill7. Doubling in the Mythic Dreamscapes of Samuel Beckett's Happy Days, Not I, and Rockaby8. More on Demeter: Marsha Norman's 'night Mother9. Oedipus and Demeter: Pinter's A Slight AcheCodaIndex

"Katherine H. Burkman doubles down on doubling, looking again at the resonances between modern drama and patterns of ancient myth. Her work not only revisits versions of mythical doubles as they reappear in plays by Beckett, Pinter, O'Neill, Shepard, Norman, and Ibsen, but also echoes the mythic in the original verse that frames the study's analytic excursions. The Drama of the Double clarifies and complicates modern western drama's links to the past, while enacting contemporary insights about drama's fundamental repertoire." - Judith Roof, William Shakespeare Chair in English, Rice University, USA "The Drama of the Double may not be long, but it is a surprisingly big book in that it deals with a wide range of literary texts, ancient and modern, written by a vast number of major (and some minor) authors in a startling array of forms and genres (drama, film, prose fiction, and more), usually in a manner that is detailed, focused and anything but cursory or glancing. At any rate, I suspect I am not alone in rejoicing when I see any literary critic or scholar focus on what the text has to say on its own - on, that is, the textual representations of character, action, thought, feeling, and ethical quality that are the necessary conditions of every text's intelligibility and worth, as is the case with Burkman's book." - James Battersby, Professor Emeritus, The Ohio State University, USA