DORIS SALCEDO (*1958, Bogotá) is internationally renowned for her sculptures, site-specific installations and public inter ventions that address the traumas of violence, racism and other forms of marginalization. In 2003, on the occasion of the Istanbul Biennial, she stacked 1,550 chairs between two build ings; in 2007, she drove a 167-meter-long crack into the Turbine Hall of the Tate Modern for her work Shibboleth. Her most recent work Uprooted (2020–22) has been presented at the Sharjah Biennial.