Doris Lessing

Susan Watkins is Reader in Twentieth-Century Women's Fiction at Leeds Metropolitan University, UK. She is author of Twentieth Century Women Novelists: Feminist Theory into Practice (Palgrave, 2001), co-editor of Scandalous Fictions: The Twentieth Century Novel in the Public Sphere (Palgrave, 2006) and an associate editor of the journal Contemporary Women's Writing (Oxford). She was also editor of a special issue of The Journal of Commonwealth Literature on Doris Lessing (March 2008). Alice Ridout is Assistant Professor at Grenfell Campus, Memorial University of Newfoundland, Canada. She is Vice-President of the Doris Lessing Society and book reviews editor for Contemporary Women's Writing.

• Note on Contributors; Introduction: Doris Lessing's Border Crossings, Alice Ridout and Susan Watkins (Leeds Metropolitan University, UK); 1. Horrors of the Breast: Cultural Boundaries and the Abject in The Grass is Singing, Edith Frampton (San Diego State University, USA); 2. Inside and Outside Colonial Spaces: Border Crossings in Doris Lessing's African Stories', Pat Louw (University of Zululand, SA); 3. Doris Lessing's The Golden Notebook An Experiment in Critical Fiction, Nick Bentley (University of Keele, UK); 4. Doris Lessing's Fantastic Children, Roberta Rubenstein (American University, US); 5. The 'Jane Somers' Hoax: Aging, Gender and the Literary Marketplace, Susan Watkins (Leeds Metropolitan University, UK); 6. (Not Such) Great Expectations: Unmaking Maternal Ideals in The Fifth Child and We Need to Talk About Kevin, Ruth Robbins (Leeds Metropolitan University, UK); 7. Doris Lessing's Under My Skin: The Autobiography of a Cosmopolitan 'Third Culture Kid', Alice Ridout (University of Leeds, UK); 8. Environmental Fables? The eco-politics of Doris Lessing's novels, Fiona Becket, (University of Leeds, UK); 9. The Porous Border Between Fact and Fiction, Empathy and Identification in Doris Lessing's The Cleft, Phyllis Sternberg Perrakis (University of Ottawa, CA) Afterword, Judith Kegan Gardiner; Index.

"This splendid collection of accessible, critical essays offers in-depth scrutiny of Lessing's persistent transgressing of literary, cultural, gender, and colonial boundaries. Through this lens Doris Lessing-: Border Crossings appreciates the spectacular range of her work from The Grass is Singing to Alfred and Emily." - Dr Sandra Singer, University of Guelph, Canada 'Doris Lessing's Border Crossings persuasively argues that Lessing's crossing of borders--cultural, political, biographic, generic and thematic--has been a persistent gesture. A valuable contribution to Doris Lessing Studies, this collection is innovative in grounding critiques of her work in British academic circles and current debates on the ideology of fictive forms, questions of authorship, commercial literary culture, aging and gender."- Professor Virginia Tiger, Department of English Chair, Rutgers University, USA