Dog in the Sky

Häftad, Engelska, 2006

149 kr

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"The Dog in the Sky" offers a view of the world that is skewed, vibrant and larger than life. Here, words turn into tiger-moths or laughing birds, the Minotaur finds his Ariadne and Pinochio's sister cuts loose from her strings. "The Dog in the Sky" is drunk on life, on love, on air thick with peach light, but also shows the flipside where you can't trust the earth beneath your feet. In her second collection, Helen Ivory takes you further into a world of illusions and transformations. Here are voices lost inside mental illness, divided and diverting selves, as well as sinister figures who control their madness and make things happen. She creates puppet shows in which larger-than-life forces pull the strings and write the scripts, drawing also from the darkly dramatic world of fairytale and myth.

Produktinformation

Utgivningsdatum2006-02-23
Mått138 x 216 x 5 mm
Vikt110 g
FormatHäftad
SpråkEngelska
Antal sidor64
FörlagBloodaxe Books Ltd
ISBN9781852247171

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Poesi inom Skönlitteratur

Helen Ivory is a poet and visual artist. She edits the webzine Ink Sweat and Tears, and is a lecturer for the UEA/National Centre for Writing online creative writing programme. She has published five collections with Bloodaxe Books: The Double Life of Clocks (2002), The Dog in the Sky (2006), The Breakfast Machine (2010), Waiting for Bluebeard (2013) and The Anatomical Venus (2019). Fool’s World, a collaborative Tarot with artist Tom de Freston (Gatehouse Press), won the 2016 Saboteur Best Collaborative Work award. A book of collage/ mixed media poems, Hear What the Moon Told Me, was published KFS in 2017, and a chapbook, Maps of the Abandoned City, by SurVision in 2019. She has received an Eric Gregory Award from the Society of Authors, and was awarded Arts Council funding and an Author’s Award from the Society of Authors to work on The Anatomical Venus. She lives in Norwich.

There is something subtle and unique about Helen Ivory's writing. You can see the shadows she moves among, the fabulists and fantasists, but there is a numbed, almost purely narrative quality to the voice which destabilises itself as it goes along. Her best poems are quite exquisite, not so much a matter of known poetic craft as of vision, instinct and frayed edgy experience playing it dead straight.