The Editor: Erik Kjellberg is professor of Musicology at Uppsala University since 1985. He has published many studies on music in Sweden – notably from the seventeenth century – based on extensive archival research. In addition he is the author of books and articles on jazz.

• Contents: Erik Kjellberg: The Düben Family and the Düben Collection – Kia Hedell: The Missa super Im Mayen and the Düben Collection in relation to the German Church Collection in Stockholm – Juliane Peetz: The large Tablature Books in the Düben Collection – Barbara Wiermann: Vokal-instrumentale Werke in der Sammlung Düben - Überlieferung und Aneignung – Friedhelm Krummacher: Vokalmusik der Dübensammlung im Repertoire der Zeit. Fragen und Beispiele im Rückblick – Konrad Küster: Fame, Politics, and personal Relationship: Whom did Düben know in the Baltic Area? – Peter Wollny: A Source Complex from Saxony in the Düben Collection – Lars Berglund: The Roman Connection. The Dissemination and Reception of Roman Music in the North – Aleksandra Patalas: Ut oratio sit Domina. The Dispute between Romano Micheli and Marco Scacchi – Stephen Rose: The Composer as Self-Publisher in Seventeenth-Century Germany – Werner Braun: Zeitereignisse in Meders Oper Die beständige Argenia (1680) – Jan Olof Rudén: Ensemble Music copied by the Swedish Student Nils Tiliander in Greifswald, Rostock and Wittenberg 1698-1699 – Kerala J. Snyder: Beyond Sources and Works. A fresh Look at Buxtehude’s Legacy – Erik Kjellberg: The Düben Database project – Carl-Johan Bergsten: The Düben Database structure – Anders Edling: The use of the Düben Collection as seen in the Correspondence of the Uppsala University Library.

The Editor: Erik Kjellberg is professor of Musicology at Uppsala University since 1985. He has published many studies on music in Sweden – notably from the seventeenth century – based on extensive archival research. In addition he is the author of books and articles on jazz.

• Contents: Erik Kjellberg: The Düben Family and the Düben Collection – Kia Hedell: The Missa super Im Mayen and the Düben Collection in relation to the German Church Collection in Stockholm – Juliane Peetz: The large Tablature Books in the Düben Collection – Barbara Wiermann: Vokal-instrumentale Werke in der Sammlung Düben - Überlieferung und Aneignung – Friedhelm Krummacher: Vokalmusik der Dübensammlung im Repertoire der Zeit. Fragen und Beispiele im Rückblick – Konrad Küster: Fame, Politics, and personal Relationship: Whom did Düben know in the Baltic Area? – Peter Wollny: A Source Complex from Saxony in the Düben Collection – Lars Berglund: The Roman Connection. The Dissemination and Reception of Roman Music in the North – Aleksandra Patalas: Ut oratio sit Domina. The Dispute between Romano Micheli and Marco Scacchi – Stephen Rose: The Composer as Self-Publisher in Seventeenth-Century Germany – Werner Braun: Zeitereignisse in Meders Oper Die beständige Argenia (1680) – Jan Olof Rudén: Ensemble Music copied by the Swedish Student Nils Tiliander in Greifswald, Rostock and Wittenberg 1698-1699 – Kerala J. Snyder: Beyond Sources and Works. A fresh Look at Buxtehude’s Legacy – Erik Kjellberg: The Düben Database project – Carl-Johan Bergsten: The Düben Database structure – Anders Edling: The use of the Düben Collection as seen in the Correspondence of the Uppsala University Library.

The Editor: Erik Kjellberg is professor of Musicology at Uppsala University since 1985. He has published many studies on music in Sweden – notably from the seventeenth century – based on extensive archival research. In addition he is the author of books and articles on jazz.

• Contents: Erik Kjellberg: The Düben Family and the Düben Collection – Kia Hedell: The Missa super Im Mayen and the Düben Collection in relation to the German Church Collection in Stockholm – Juliane Peetz: The large Tablature Books in the Düben Collection – Barbara Wiermann: Vokal-instrumentale Werke in der Sammlung Düben - Überlieferung und Aneignung – Friedhelm Krummacher: Vokalmusik der Dübensammlung im Repertoire der Zeit. Fragen und Beispiele im Rückblick – Konrad Küster: Fame, Politics, and personal Relationship: Whom did Düben know in the Baltic Area? – Peter Wollny: A Source Complex from Saxony in the Düben Collection – Lars Berglund: The Roman Connection. The Dissemination and Reception of Roman Music in the North – Aleksandra Patalas: Ut oratio sit Domina. The Dispute between Romano Micheli and Marco Scacchi – Stephen Rose: The Composer as Self-Publisher in Seventeenth-Century Germany – Werner Braun: Zeitereignisse in Meders Oper Die beständige Argenia (1680) – Jan Olof Rudén: Ensemble Music copied by the Swedish Student Nils Tiliander in Greifswald, Rostock and Wittenberg 1698-1699 – Kerala J. Snyder: Beyond Sources and Works. A fresh Look at Buxtehude’s Legacy – Erik Kjellberg: The Düben Database project – Carl-Johan Bergsten: The Düben Database structure – Anders Edling: The use of the Düben Collection as seen in the Correspondence of the Uppsala University Library.