Del 106 i serien Contemporary French and Francophone Cultures

Disruptive Discourses by Francophone Women

Inbunden, Engelska, 2025

AvPolly Galis,Polly Galis,Ciara Gorman,Julie Rodgers

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Disruptive Discourses by Francophone Women engages with the notion of disruption in women’s cultural production in French from a wide range of perspectives, spanning the twentieth and twenty-first centuries and incorporating a variety of Francophone contexts. With a pluri-genre focus, the volume interrogates both the conceptualisation and textual representation of disruption in a myriad of forms including social, political, physical and sexual manifestations of disruptive behaviour. Organised thematically, the chapters consider inter alia angles such as ageing, motherhood, activism, queerness and migrancy and how they relate to the overarching topic of disruption. The volume is particularly concerned with the gendered dynamics of disruption and an exploration as to why certain values and behaviours are deemed transgressive and problematic when applied to women. Perhaps most importantly, the volume is interested in the creative potential of disruption to challenge oppressive norms, stereotypes and social structures. When harnessed affirmatively, as the chapters demonstrate, disruption becomes an effective tool of transformation and can produce new ways of thinking and being for women outside of patriarchal systems. Disruptive Discourses not only highlights the importance of listening to women who speak out and speak up, it also celebrates and reappropriates disruption as a powerful and positive attribute.

Produktinformation

Utgivningsdatum2025-11-07
Mått163 x 239 x undefined mm
FormatInbunden
SpråkEngelska
SerieContemporary French and Francophone Cultures
Antal sidor264
FörlagLiverpool University Press
ISBN9781836245407

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Introduction, Polly Galis, Ciara Gorman, Julie RodgersPart One: Archetypal Disruptors, Disrupting ArchetypesChapter 1. ‘Colette and the Other Woman’, Diana HolmesChapter 2. ‘Black Mariannes: Disrupting and Reimagining Marianne in the Name of French Universalism?’ Jasmine D. CooperChapter 3. ‘Greying Goes Digital: #uneapparitionsophiefontanel’, Adina StroiaPart Two: Disruptive Stories Across Space and TimeChapter 4. ‘Legal, Political and Textual Disruption: The Autobiographical Writing of Gisèle Halimi’, Natalie EdwardsChapter 5. ‘Affronter les ogres: Subversive Storytelling in Dalila Kerchouche’s Mon Père, ce Harki (2003) and Zahia Rahmani’s ‘Musulman’: Roman (2005)’, Clíona HenseyChapter 6. ‘“La France, c’est comme ça?”: Gender and the Quest for Asylum in Nathacha Appanah’s Tropique de la violence and Marie Darrieussecq’s La Mer à l’envers’, Dominique Carlini VersiniPart Three: Disruptive Bodies, Voices and GazesChapter 7. ‘Disruptive Bodies and Voices in Ananda Devi’s Le Rire des déesses’, Adrienne AngeloChapter 8. ‘Looking Back as Disruption in Portrait de la jeune fille en feu (Sciamma, 2019)’, Peadar KearneyChapter 9. ‘Voicing the Silenced Bodies: Nicole Malinconi’s Hôpital silence’, Caroline VerdierPart Four: Violent and ‘Vulgar’ DisruptionChapter 10. ‘Disruption and Eruption: Terrorist Violence in the Work of Virginie Despentes’, Alexandra PughChapter 11. ‘Women Always Have to Put Up a F****g Fight: Coralie Fargeat’s *Revenge (2017) and Transgressive, Transnational Feminism’, Emma FlynnChapter 12. ‘Paroxysmal Rhythms in Anne F. Garréta’s La Décomposition and Sphinx’, Áine LarkinConclusion, Polly Galis, Ciara Gorman, Julie Rodgers