Houston Wood spent many years as a macadamia nut farmer on the island of Hawaii. He is the coauthor of The Reality of Ethnomethodology and now teaches English at Hawaii Pacific University.

• Chapter 1 Orientation: Recovering Hawaiian WindsPart 2 From Conquest to Anti-ConquestChapter 3 The Violent Rhetoric of NamesChapter 4 Captain James Cook, RhetoricianChapter 5 The Kama'aina Anti-ConquestChapter 6 Disorientation: Unwritable KnowledgePart 7 Displacing Three Hawaiian PlacesChapter 8 Displacing Pele: Hawai'i's Volcanoes in a Contact ZoneChapter 9 Echo Tourism: The Narrative of Nostalgia in WaikikiChapter 10 Safe Savagery: Hollywood's Hawai'iChapter 11 Reorientation: New Histories, New HopesPart 12 Polyrhetoric as Critical TraditionalismismChapter 13 Kaho'olawe in Polyrhetoric and MonorhetoricChapter 14 Hawai'i in CyberspaceChapter 15 CodaChapter 16 Filmography

Wood's book offers very strong critical analyses of dominant cultural productions and discursive struggles, with a central focus on the contested terrain of representation. Displacing Natives is an excellent choice for courses that focus on on US colonialism, Hawaiian Studies, literary and visual representations of indigenous peoples, and ethnic studies. In this time of 'ena makani (stormy winds) it is important to see a scholarly work that explains the enduring process by which Hawaiian indigeneity is continuously effaced in and through the dominant popular culture.

Houston Wood spent many years as a macadamia nut farmer on the island of Hawaii. He is the coauthor of The Reality of Ethnomethodology and now teaches English at Hawaii Pacific University.

• Chapter 1 Orientation: Recovering Hawaiian WindsPart 2 From Conquest to Anti-ConquestChapter 3 The Violent Rhetoric of NamesChapter 4 Captain James Cook, RhetoricianChapter 5 The Kama'aina Anti-ConquestChapter 6 Disorientation: Unwritable KnowledgePart 7 Displacing Three Hawaiian PlacesChapter 8 Displacing Pele: Hawai'i's Volcanoes in a Contact ZoneChapter 9 Echo Tourism: The Narrative of Nostalgia in WaikikiChapter 10 Safe Savagery: Hollywood's Hawai'iChapter 11 Reorientation: New Histories, New HopesPart 12 Polyrhetoric as Critical TraditionalismismChapter 13 Kaho'olawe in Polyrhetoric and MonorhetoricChapter 14 Hawai'i in CyberspaceChapter 15 CodaChapter 16 Filmography

Wood's book offers very strong critical analyses of dominant cultural productions and discursive struggles, with a central focus on the contested terrain of representation. Displacing Natives is an excellent choice for courses that focus on on US colonialism, Hawaiian Studies, literary and visual representations of indigenous peoples, and ethnic studies. In this time of 'ena makani (stormy winds) it is important to see a scholarly work that explains the enduring process by which Hawaiian indigeneity is continuously effaced in and through the dominant popular culture.

Houston Wood spent many years as a macadamia nut farmer on the island of Hawaii. He is the coauthor of The Reality of Ethnomethodology and now teaches English at Hawaii Pacific University.

• Chapter 1 Orientation: Recovering Hawaiian WindsPart 2 From Conquest to Anti-ConquestChapter 3 The Violent Rhetoric of NamesChapter 4 Captain James Cook, RhetoricianChapter 5 The Kama'aina Anti-ConquestChapter 6 Disorientation: Unwritable KnowledgePart 7 Displacing Three Hawaiian PlacesChapter 8 Displacing Pele: Hawai'i's Volcanoes in a Contact ZoneChapter 9 Echo Tourism: The Narrative of Nostalgia in WaikikiChapter 10 Safe Savagery: Hollywood's Hawai'iChapter 11 Reorientation: New Histories, New HopesPart 12 Polyrhetoric as Critical TraditionalismismChapter 13 Kaho'olawe in Polyrhetoric and MonorhetoricChapter 14 Hawai'i in CyberspaceChapter 15 CodaChapter 16 Filmography

Wood's book offers very strong critical analyses of dominant cultural productions and discursive struggles, with a central focus on the contested terrain of representation. Displacing Natives is an excellent choice for courses that focus on on US colonialism, Hawaiian Studies, literary and visual representations of indigenous peoples, and ethnic studies. In this time of 'ena makani (stormy winds) it is important to see a scholarly work that explains the enduring process by which Hawaiian indigeneity is continuously effaced in and through the dominant popular culture.