Discourse on Novelty and Creation

Häftad, Engelska, 1985

449 kr

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Carl Hausman presents here a sustained and systematic examination of the problems of constructing a framework for understanding the concept of creativity. His discussion is unique in focusing systematically on problems of understanding creativity, examining our assumptions about what we take to be creative, and the possibility of seeing how creativity fits into a world that we expect to behave in rational patterns. In a careful examination of this complex phenomena, Hausman suggests a way of approaching creativity in terms of a novel theory of metaphor.

Produktinformation

Utgivningsdatum1985-06-30
Mått152 x 229 x 25 mm
Vikt249 g
FormatHäftad
SpråkEngelska
SerieSUNY series in Philosophy
Antal sidor159
FörlagState University of New York Press
ISBN9780873958653

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Introduction: The Problem, its Background, and a Sketch of its TreatmentI. Production and Radical Creation A. Novelty Proper 1. Individuality and Radical Newness2. Form a. Form, structures, and valuationb. Form and novelty, some problems and puzzles B. Novelty Proper and Creative Acts 1. Imitation and Craftsmanship2. Creative Process and Critical Control3. Creative Achievement and Duplication of Novelty C. Value and Creativity 1. Instrumental Value2. Instrumental Value and Tradition3. Inerent Value II. Spontaneity: The Paradox and the Possibility of Explanation A. General Remarks about ExplanationB. The Paradox of Creativity 1. Whitehead and Explanation2. The Paradox in the Context of the Husserlian Account of Consciousness3. Nicolai Hartmann's Acknowledgment of the Radical Puzzle C. The Reality of Spontaneity and the Challenge of Determinism 1. Positivism2. Teleological Determinism3. Mechanistic Determinism D. Intelligibility and the Resources of LanguageIII. Language and the Aesthetic Structure of Novelty A. Originative Speech as Oblique Expression 1. Language and Speech2. Speech and Implements B. Speech and Metaphors1. Indirect Speech and Metaphor in Art, Science, and Philosophy2. Metaphors and the Organic Character of Art3. Metaphors as Constitutive Negations4. Metaphors and "Family Resemblances" C. Metaphors and the Intelligibility of Created Objects1. Metaphorical Expression and PAradox2. The Structure of Novelty3. Intelligibility and FamiliarityIV. Fundamental Paradox and Intelligibility A. The AbsurdB. Two Loci of the AbsurdC. The Second Model of IntelligibilityD. The Possibility of a Third Model of IntelligibilityIndex