Dior CATWALK™

Alexander Fury is chief fashion correspondent at T: The New York Times Style Magazine, and was formerly Men’s Critic for vogue.com. He was fashion editor of the Independent, i and the Independent on Sunday from 2013 to 2016, and was named one of InStyle magazine’s 20 most powerful people in fashion in 2015. Adélia Sabatini is Commissioning Editor for fashion at Thames & Hudson and a former contributor to Glass and Apollo magazines. She is also co-author of Dior Catwalk.

• Introduction: Looking To The New • 1947: S/S 1947: Haute Couture The ‘New Look (‘Corolle’ and ‘8’ Lines) • A/W 1947–1948: Haute Couture ‘The New Look Pushed to Extremes’: 1948 • S/S 1948: Haute Couture The ‘Zig-Zag’ & ‘Envol’ Lines • A/W 1948–1949: Haute Couture The ‘Ligne Ailée’ (Winged Line) • 1949: S/S 1949 Haute Couture The ‘Trompe L’œil’ Line • A/W 1949–1950: Haute Couture The ‘Milieu du Siècle’ (Mid-Century) Collection • 1950: S/S 1950 Haute Couture The ‘Ligne Verticale’ (Vertical Line) • A/W 1950–1951: Haute Couture The ‘Ligne Oblique’ (Oblique Line) • S/S 1951: Haute Couture The ‘Ligne Naturelle’ (Natural Line) • A/W 1951–1952: Haute Couture The ‘Ligne Longue’ (Long Line) • S/S 1952: Haute Couture The ‘Ligne Sinueuse’ (Sinuous Line) • A/W 1952–1953: Haute Couture The ‘Ligne Profilée’ (Profile Line) • S/S 1953: Haute Couture The ‘Ligne Tulipe’ (Tulip Line) • A/W 1953–1954: Haute Couture The ‘Ligne Vivante’ (Living Line) • 1954 S/S 1954 Haute Couture: The ‘Ligne Muguet’ (Lily of the Valley Line) • A/W 1954–1955: Haute Couture The ‘H’ Line • 1955 S/S 1955: Haute Couture The ‘A’ Line • A/W 1955–1956: Haute Couture The ‘Y’ Line • 1956 S/S 1956: Haute Couture The ‘Ligne Flèche’ (Arrow Line) • A/W 1956–1957: Haute Couture The ‘Ligne Aimant’ (Magnet Line) • 1957 S/S 1957 Haute Couture The ‘Ligne Libre’ (Free Line) • A/W 1957–1958: Haute Couture The ‘Ligne Fuseau’ (Spindle Line)

'An extraordinary collection [that] document[s] the house’s output over the past 70 years and through seven creative directors' - Vogue