Del i serien Canadian Social History Series

Dignity of Every Human Being

New Brunswick Artists and Canadian Culture Between the Great Depression and the Cold War

Häftad, Engelska, 2015

529 kr

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“The Dignity of Every Human Being” studies the vibrant New Brunswick artistic community which challenged “the tyranny of the Group of Seven” with socially-engaged realism in the 1930s and 40s. Using extensive archival and documentary research, Kirk Niergarth follows the work of regional artists such as Jack Humphrey and Miller Brittain, writers such as P.K. Page, and crafts workers such as Kjeld and Erica Deichmann. The book charts the rise and fall of “social modernism” in the Maritimes and the style’s deep engagement with the social and economic issues of the Great Depression and the Popular Front.Connecting local, national, and international cultural developments, Niergarth’s study documents the attempts of Depression-era artists to question conventional ideas about the nature of art, the social function of artists, and the institutions of Canadian culture. “The Dignity of Every Human Being” records an important and previously unexplored moment in Canadian cultural history.

Produktinformation

Utgivningsdatum2015-02-26
Mått140 x 216 x 24 mm
Vikt500 g
FormatHäftad
SpråkEngelska
SerieCanadian Social History Series
Antal sidor368
FörlagUniversity of Toronto Press
ISBN9781442613898

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Konsthistoria inom Kultur

AcknowledgmentsPart I: Art and DemocracyIntroductionThe Atmosphere: Art and Politics in Canadian Magazines, 1935-1939Walter Abell, Canadian Culture, and the Maritime PushPart II: The Collective Dream in New Brunswick ArtSaint JohnTwo “Giants”: “Pro-Artists” Jack Humphrey and Miller BrittainArtists are like this: Common interests of the “Crowd”Arising from the Thirties Dream: Saint John Artists and the Postwar Period Notes

‘This is a book to relish. You will be informed and entertained.’ - Ronald J. Jack (The Lost Valley Blog Post 27th July 2015) ‘The author has assembled an impressive array of primary sources in a thoughtful analysis of an alternative vision of Canadian cultural production across these critical decades.’- Debra Antoncic (Labour/Le Travail vol 77 spring 2016) ‘This is an exceptional study of the intellectual currents running through the New Brunswick artistic community during the 1930s and 1940s.’- Sean Cadigan (Canadian Journal of History vol 51:03:2016)