• 1. Introduction.- 2. Sound-Based Synthesis Methods.- 1 Wavetable synthesis.- 2 Granular synthesis.- 3 Additive synthesis.- 4 Subtractive synthesis.- 5 FM synthesis.- 6 Combinations of sound-based synthesis methods.- 3. Physical Description of Musical instruments.- 1 General notation.- 2 Subdivision of a musical instrument into vibration generators and a resonant body.- 3 Physical description of string vibrations.- 4 Physical description of membrane vibrations.- 5 Physical description of resonant bodies.- 6 Chapter summary.- 4. Classical Synthesis Methods Based on Physical Models.- 1 Finite difference method.- 2 Digital waveguide method.- 3 Modal synthesis.- 4 Chapter summary.- 5. Functional Transformation Method.- 1 Fundamental principles of the FTM.- 2 Application of the FTM to vibrating strings.- 3 Application of the FTM to vibrating membranes.- 4 Application of the FTM to resonant bodies.- 5 Chapter summary.- 6. Comparison of the Ftm with the Classical Physical Modeling Methods.- 1 Comparison of the FTM with the FDM.- 2 Comparison and combination of the FTM with the DWG.- 3 Comparison of the FTM with the MS.- 4 Chapter conclusions.- 7. Summary, Conclusions, and Outlook.

From the reviews: "This is a book devoted to digital sound synthesis (DSS). The exposition makes full use of modern mathematical tools. ... The book represents an interesting contribution to music synthesis and the reviewer thinks it will soon become a reference volume in the electric and mechanical domains." (D. Stanomir, Mathematical Reviews, 2005 b) "This book ... gives not only a thorough introduction to the Functional Transformation Method itself, but provides an excellent overview of existing alternatives. ... The book is exemplary in clarity as well as for references and lists of symbols, variables, abbreviations, etc. More than fifty figures are included. ... an innovative and far-reaching text that should find its way to all institutes where sound synthesis is taught or researched." (K. Guettler, Acta Acustica united with Acustica, Vol. 91 (4), 2005)

• 1. Introduction.- 2. Sound-Based Synthesis Methods.- 1 Wavetable synthesis.- 2 Granular synthesis.- 3 Additive synthesis.- 4 Subtractive synthesis.- 5 FM synthesis.- 6 Combinations of sound-based synthesis methods.- 3. Physical Description of Musical instruments.- 1 General notation.- 2 Subdivision of a musical instrument into vibration generators and a resonant body.- 3 Physical description of string vibrations.- 4 Physical description of membrane vibrations.- 5 Physical description of resonant bodies.- 6 Chapter summary.- 4. Classical Synthesis Methods Based on Physical Models.- 1 Finite difference method.- 2 Digital waveguide method.- 3 Modal synthesis.- 4 Chapter summary.- 5. Functional Transformation Method.- 1 Fundamental principles of the FTM.- 2 Application of the FTM to vibrating strings.- 3 Application of the FTM to vibrating membranes.- 4 Application of the FTM to resonant bodies.- 5 Chapter summary.- 6. Comparison of the Ftm with the Classical Physical Modeling Methods.- 1 Comparison of the FTM with the FDM.- 2 Comparison and combination of the FTM with the DWG.- 3 Comparison of the FTM with the MS.- 4 Chapter conclusions.- 7. Summary, Conclusions, and Outlook.

From the reviews: "This is a book devoted to digital sound synthesis (DSS). The exposition makes full use of modern mathematical tools. ... The book represents an interesting contribution to music synthesis and the reviewer thinks it will soon become a reference volume in the electric and mechanical domains." (D. Stanomir, Mathematical Reviews, 2005 b) "This book ... gives not only a thorough introduction to the Functional Transformation Method itself, but provides an excellent overview of existing alternatives. ... The book is exemplary in clarity as well as for references and lists of symbols, variables, abbreviations, etc. More than fifty figures are included. ... an innovative and far-reaching text that should find its way to all institutes where sound synthesis is taught or researched." (K. Guettler, Acta Acustica united with Acustica, Vol. 91 (4), 2005)

• 1. Introduction.- 2. Sound-Based Synthesis Methods.- 1 Wavetable synthesis.- 2 Granular synthesis.- 3 Additive synthesis.- 4 Subtractive synthesis.- 5 FM synthesis.- 6 Combinations of sound-based synthesis methods.- 3. Physical Description of Musical instruments.- 1 General notation.- 2 Subdivision of a musical instrument into vibration generators and a resonant body.- 3 Physical description of string vibrations.- 4 Physical description of membrane vibrations.- 5 Physical description of resonant bodies.- 6 Chapter summary.- 4. Classical Synthesis Methods Based on Physical Models.- 1 Finite difference method.- 2 Digital waveguide method.- 3 Modal synthesis.- 4 Chapter summary.- 5. Functional Transformation Method.- 1 Fundamental principles of the FTM.- 2 Application of the FTM to vibrating strings.- 3 Application of the FTM to vibrating membranes.- 4 Application of the FTM to resonant bodies.- 5 Chapter summary.- 6. Comparison of the Ftm with the Classical Physical Modeling Methods.- 1 Comparison of the FTM with the FDM.- 2 Comparison and combination of the FTM with the DWG.- 3 Comparison of the FTM with the MS.- 4 Chapter conclusions.- 7. Summary, Conclusions, and Outlook.

From the reviews: "This is a book devoted to digital sound synthesis (DSS). The exposition makes full use of modern mathematical tools. ... The book represents an interesting contribution to music synthesis and the reviewer thinks it will soon become a reference volume in the electric and mechanical domains." (D. Stanomir, Mathematical Reviews, 2005 b) "This book ... gives not only a thorough introduction to the Functional Transformation Method itself, but provides an excellent overview of existing alternatives. ... The book is exemplary in clarity as well as for references and lists of symbols, variables, abbreviations, etc. More than fifty figures are included. ... an innovative and far-reaching text that should find its way to all institutes where sound synthesis is taught or researched." (K. Guettler, Acta Acustica united with Acustica, Vol. 91 (4), 2005)