Digital Practices

SUSAN BROADHURST is a writer and practitioner in the creative arts. She is Reader in Drama and Technology and Head of Drama Studies at Brunel University, UK. She is also the author of Liminal Acts: A Critical Overview of Contemporary Performance and Theory (1999), co-editor of Performance and Technology: Practices of Virtual Embodiment and Interactivity (2006) and co-editor of the online journal Body, Space and Technology. Susan is currently working on a series of collaborative practice-based research projects entitled 'Intelligence, Interaction, Reaction and Performance'.

• List of Illustrations Acknowledgements The Digital: A Preliminary View Selective Aesthetic Approaches Neuroesthetics Live Performance and the Digital Digital Sound, New Media and Interactive Practices Digital Film Bioart Conclusion: Digital Practices Bibliography Index

'A groundbreaking and long-lasting resource for anyone interested in the uses and influences of contemporary technologies in performance practice and beyond. It will appeal to a range of readers, from undergraduate to postgraduate students studying performance, media and cultural studies, as well both theatre professionals and academics/scholars in these fields.' - Paul Woodward, Department of Drama, St Mary's University College, Twickenham, UK 'Broadhurst demonstrates an erudite and sophisticated knowledge of...various critical theories and her arguments serve well as intriguing ways for thinking through performance and technology...Digital Practices is a fascinating and adventurous book, which combines a daunting volume of critical and scientific theory to understand a wide variety of digital performance and art production.' - Matthew Causey Contemporary Theatre Review '...a facinating and much needed overview of current developments within the field of media and performance. Extremely well structured and presented the text articulates a remarkably clear developmental pathway...anyone interested in the uses and influences of contemporary technologies in performance practice and beyond which will appeal to a range of readers from undergraduate to postgraduate students studying performance, media and cultural studies as well as both theatre professionals and academics/scholars in these fields.' Body, Space & Technology