This study delves into the Cuban project Diáspora(s) and the magazine of the same name, which circulated in Havana from 1997 to 2002 by way of samizdat techniques. Taking a mixed-methods approach, it views Diáspora(s) as a network, drawing out the synergies between the social formation of the intellectual network, the magazine medium, and the transnational aesthetics developed by the project.

This study delves into the Cuban project Diáspora(s) and the magazine of the same name, which circulated in Havana from 1997 to 2002 by way of samizdat techniques. Taking a mixed-methods approach, it views Diáspora(s) as a network, drawing out the synergies between the social formation of the intellectual network, the magazine medium, and the transnational aesthetics developed by the project.

This study delves into the Cuban project Diáspora(s) and the magazine of the same name, which circulated in Havana from 1997 to 2002 by way of samizdat techniques. Taking a mixed-methods approach, it views Diáspora(s) as a network, drawing out the synergies between the social formation of the intellectual network, the magazine medium, and the transnational aesthetics developed by the project.