Richard Dellamora is a widely published author on dissident male and female sexuality in Victorian and twentieth-century literature, including Masculine Desire: The Sexual Politics of Victorian Aestheticism (1990) and Radclyffe Hall, A Life in the Writing (2011), among other works and edited collections. Dellamora is Professor Emeritus in the departments of English and Cultural Studies and Fellow of the Centre for Theory, Politics, and Culture at Trent University (Canada). He currently lives and continues to write in Santa Monica, California. Dellamora completed an A. B. at Dartmouth College (Hanover, N.H.); a B. A.at Queens’ College, Cambridge University; and a Ph.D. in English at Yale University. He was awarded a Guggenheim Fellowship in 1998.

• IntroductionChapter OneModernity and Degeneration in Somerset Maugham and Paul Gauguin: The Moon and Sixpence and the South Sea TalesChapter TwoHaunting the West End: Oscar Wilde and Silent HitchcockChapter ThreeHistory and Revolution in Sylvia Townsend Warner’s Summer Will ShowChapter FourPathological Legacies:Patriarchy in Virginia Woolf, Lytton Strachey, and John Maynard Keynes Chapter Five"A New Space of Time": Determining the Future in The YearsChapter SixBlack-out: Anti-Fascism in Patrick Hamilton’s Rope, Gaslight, and Hangover SquareChapter SevenGeorge Orwell, Futurity, and Male Homosexual PanicChapter EightQueering Past--and Future--in Sarah Waters’ AffinityChapter NineEcological Time and Social Desire in Amitav Ghosh’s The Hungry TideChapter TenMale Homoerotics in the Metamodernist Fictions of Alan Hollinghurst

Richard Dellamora is a widely published author on dissident male and female sexuality in Victorian and twentieth-century literature, including Masculine Desire: The Sexual Politics of Victorian Aestheticism (1990) and Radclyffe Hall, A Life in the Writing (2011), among other works and edited collections. Dellamora is Professor Emeritus in the departments of English and Cultural Studies and Fellow of the Centre for Theory, Politics, and Culture at Trent University (Canada). He currently lives and continues to write in Santa Monica, California. Dellamora completed an A. B. at Dartmouth College (Hanover, N.H.); a B. A.at Queens’ College, Cambridge University; and a Ph.D. in English at Yale University. He was awarded a Guggenheim Fellowship in 1998.

• IntroductionChapter OneModernity and Degeneration in Somerset Maugham and Paul Gauguin: The Moon and Sixpence and the South Sea TalesChapter TwoHaunting the West End: Oscar Wilde and Silent HitchcockChapter ThreeHistory and Revolution in Sylvia Townsend Warner’s Summer Will ShowChapter FourPathological Legacies:Patriarchy in Virginia Woolf, Lytton Strachey, and John Maynard Keynes Chapter Five"A New Space of Time": Determining the Future in The YearsChapter SixBlack-out: Anti-Fascism in Patrick Hamilton’s Rope, Gaslight, and Hangover SquareChapter SevenGeorge Orwell, Futurity, and Male Homosexual PanicChapter EightQueering Past--and Future--in Sarah Waters’ AffinityChapter NineEcological Time and Social Desire in Amitav Ghosh’s The Hungry TideChapter TenMale Homoerotics in the Metamodernist Fictions of Alan Hollinghurst

Richard Dellamora is a widely published author on dissident male and female sexuality in Victorian and twentieth-century literature, including Masculine Desire: The Sexual Politics of Victorian Aestheticism (1990) and Radclyffe Hall, A Life in the Writing (2011), among other works and edited collections. Dellamora is Professor Emeritus in the departments of English and Cultural Studies and Fellow of the Centre for Theory, Politics, and Culture at Trent University (Canada). He currently lives and continues to write in Santa Monica, California. Dellamora completed an A. B. at Dartmouth College (Hanover, N.H.); a B. A.at Queens’ College, Cambridge University; and a Ph.D. in English at Yale University. He was awarded a Guggenheim Fellowship in 1998.

• IntroductionChapter OneModernity and Degeneration in Somerset Maugham and Paul Gauguin: The Moon and Sixpence and the South Sea TalesChapter TwoHaunting the West End: Oscar Wilde and Silent HitchcockChapter ThreeHistory and Revolution in Sylvia Townsend Warner’s Summer Will ShowChapter FourPathological Legacies:Patriarchy in Virginia Woolf, Lytton Strachey, and John Maynard Keynes Chapter Five"A New Space of Time": Determining the Future in The YearsChapter SixBlack-out: Anti-Fascism in Patrick Hamilton’s Rope, Gaslight, and Hangover SquareChapter SevenGeorge Orwell, Futurity, and Male Homosexual PanicChapter EightQueering Past--and Future--in Sarah Waters’ AffinityChapter NineEcological Time and Social Desire in Amitav Ghosh’s The Hungry TideChapter TenMale Homoerotics in the Metamodernist Fictions of Alan Hollinghurst