Clare M. Wilkinson is Professor of Anthropology at Washington State University. After graduating with a BA in anthropology from Durham University, she earned her PhD in anthropology from the University of Pennsylvania. Her long-term research interests are craft and labour in India, and her publications include Fashioning Bollywood: The Making and Meaning of Costume in Hindi Film (2013), and a co-edited book with Alicia DeNicola, Critical Craft: Technology, Globalization and Capitalism (2016).

• List of figuresAcknowledgements 1. Introduction2. Makers and spaces3. Making time4. Inscribing time5. Interleafing time scapes6. Endings and cyclingsReferences CitedFilms citedIndex

Building on her decades of fieldwork in the Mumbai film industry, Wilkinson’s compelling ethnography lures us in to the hitherto hidden worlds of production design workers – at all levels – whose collaborative labour constructs Hindi film reality plank by plank and prop by prop. A ground-breaking and very welcome contribution to the field.

Clare M. Wilkinson is Professor of Anthropology at Washington State University. After graduating with a BA in anthropology from Durham University, she earned her PhD in anthropology from the University of Pennsylvania. Her long-term research interests are craft and labour in India, and her publications include Fashioning Bollywood: The Making and Meaning of Costume in Hindi Film (2013), and a co-edited book with Alicia DeNicola, Critical Craft: Technology, Globalization and Capitalism (2016).

• List of figuresAcknowledgements 1. Introduction2. Makers and spaces3. Making time4. Inscribing time5. Interleafing time scapes6. Endings and cyclingsReferences CitedFilms citedIndex

Building on her decades of fieldwork in the Mumbai film industry, Wilkinson’s compelling ethnography lures us in to the hitherto hidden worlds of production design workers – at all levels – whose collaborative labour constructs Hindi film reality plank by plank and prop by prop. A ground-breaking and very welcome contribution to the field.

Clare M. Wilkinson is Professor of Anthropology at Washington State University. After graduating with a BA in anthropology from Durham University, she earned her PhD in anthropology from the University of Pennsylvania. Her long-term research interests are craft and labour in India, and her publications include Fashioning Bollywood: The Making and Meaning of Costume in Hindi Film (2013), and a co-edited book with Alicia DeNicola, Critical Craft: Technology, Globalization and Capitalism (2016).

• List of figuresAcknowledgements 1. Introduction2. Makers and spaces3. Making time4. Inscribing time5. Interleafing time scapes6. Endings and cyclingsReferences CitedFilms citedIndex

Building on her decades of fieldwork in the Mumbai film industry, Wilkinson’s compelling ethnography lures us in to the hitherto hidden worlds of production design workers – at all levels – whose collaborative labour constructs Hindi film reality plank by plank and prop by prop. A ground-breaking and very welcome contribution to the field.