Derrida and Joyce

Andrew J. Mitchell is Assistant Professor of Philosophy at Emory University. He is the author of Heidegger Among the Sculptors: Body, Space, and the Art of Dwelling. Sam Slote is Assistant Professor of English at Trinity College Dublin. He is the author of The Silence in Progress of Dante, Mallarmé and Joyce and coeditor (with Luca Crispi) of How Joyce Wrote Finnegans Wake: A Chapter-by-Chapter Genetic Guide.

• List of PhotographsAcknowledgmentsKey to AbbreviationsNote on the TranslationsIntroduction: Derrida and Joyce: On Totality and EquivocationAndrew J. Mitchell and Sam SlotePart I. Texts by Jacques Derrida Ulysses Gramophone: Two Words for JoyceYes, Laughter translated by François RaffoulCircumstances translated by François RaffoulTwo Words for Joyce translated by Geoffrey BenningtonUlysses Gramophone: Hear Say Yes in Joyce translated by François RaffoulThe Night Watchtranslated by Pascale-Anne Brault and Michael NaasPart II. Returns 1. Joyce—Event—Derrida—Event—JoyceJed Deppman2. Joyce’s Resonance in GlasSam Slote3. Meaning Postponed: The Post Card and Finnegans WakeAndrew J. Mitchell4. The Mother, of All the Phantasms…Michael Naas 5. Matricidal Writing: Philosophy’s EndgameChristine van Boheemen-Saaf Part III. Departures 6. Sero-Positives: Belatedness and Affirmation in Joyce, Cixous, and DerridaLaurent Milesi7. JJ, JD, TVLouis Armand8. "mememormee": Notes on Derrida’s Re-Markings of Desire and Memory in JoyceAlan Roughley9. Of Chrematology: Joyce and MoneySimon Critchley and Tom McCarthyPart IV. Recollections 10. Signature/Countersignature: Derrida’s Response to UlyssesDerek Attridge11. Two Joyces for DerridaJean-Michel RabatéSelection of PhotographsContributorsIndex