'The vitality of Gilles Deleuze's enduring influence is nowhere more apparent than within the folds of performance. Laura Cull's own precision of thought on these matters is given exquisite, seamless form in this indispensable collection by a first rate cast.' -- Alan Read, Professor of Theatre, King's College London 'This is a welcome addition to the fields of both performance studies and Deleuze studies, one that is sure to stimulate productive research and practice across many domains for years to come.' -- Ronald Bogue, Professor of Comparative Literature, University of Georgia