Deleuze and Film

Inbunden, Engelska, 2012

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'Deleuze and Film' explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Greatly expanding on the range of films discussed in Deleuze's 'Cinema' books, the contributors look at Asian films including 'Godzilla', American film noir, European art films like 'Red Road', documentaries including the animated 'Waltz with Bashir' and Hollywood CGI Blockbusters such as 'Hellboy'.

Produktinformation

Utgivningsdatum2012-04-04
Mått156 x 234 x 19 mm
Vikt518 g
FormatInbunden
SpråkEngelska
SerieDeleuze Connections
Antal sidor248
FörlagEdinburgh University Press
ISBN9780748641215

Tillhör följande kategorier

Film inom Kultur
Filosofiska discipliner inom Filosofi och religion

David Martin-Jones is Professor of Film Studies at the University of Glasgow William Brown is a Senior Lecturer in Film at the University of Roehampton, London. He is the author of various books, including Non-Cinema: Global Digital Filmmaking and the Multitude (Bloomsbury, 2018) and Supercinema: Film-Philosophy for the Digital Age (Berghahn, 2013). He is also a maker of micro-budget films, including En Attendant Godard (2009), Selfie (2014) and This is Cinema (2019).

Acknowledgements; Introduction: Deleuze's World Tour of Cinema, David Martin-Jones and William Brown; 1. An Imprint of Godzilla: Deleuze, the Action-Image and Universal History, David Deamer; 2. Philosophy, Politics and Homage in Tears of the Black Tiger, Damian Sutton; 3. Time-Images in Traces of Love: Repackaging South Korea's Traumatic National History for Tourism, David Martin-Jones; 4. The Rebirth of the World: Cinema According to Baz Luhrmann, Richard Rushton; 5. 'There as many paths to the time-image as there are films in the world': Deleuze and The Lizard, William Brown; 6. In Search of Lost Reality: Waltzing with Bashir, Markos Hadjioannou; 7. The Schizoanalysis of European Surveillance Films, Serazer Pekerman; 8. Fictions of the Imagination: Habit, Genre and the Powers of the False, Amy Herzog; 9. Feminine Energies, or the Outside of Noir, Elena del Río; 10. The Daemons of Unplumbed Space: Mixing the Planes in Hellboy, Anna Powell; 11. Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do?, David H. Fleming; 12. The Surface of the Object: Quasi-Interfaces and Immanent Virtuality, Seung-hoon Jeong; Notes on Contributors; Index.