Roy Williams was the first recipient of the Alfred Fagon Award for Starstruck in 1997 which also won the John Whiting Award for the same year. His other plays include Josie's Boys, Night and Day, Home Boys which was broadcast on Radio 4 and Lift Off (Royal Court Theatre Upstairs). His more recent work includes The Gift (Birmingham Rep/Tricycle Theatre 2000), Clubland (Royal Court 2001), Little Sweet Thing (2005), and Slow Time (developed as part of the National Theatre's education programme, 2005).

'Williams has a remarkable talent for engineering unforced, truthful-seeming collisions between tragic emotion and irrelevant or blithely disreputable comedy' Independent - Paul Taylor 'Days of Significance is a frankly terrifying and utterly compelling examination of the morality of sending young men to fight a war when they are ill-equipped to do so in every way' Guardian - Michael Billington 'Brace yourself: this is tough, important stuff, alarmingly well done' Mail on Sunday - Georgina Brown 'Williams, while he does not exonerate the behaviour of the soldiers, draws an immensely compassionate portrait of people propelled into hell' Financial Times - Sarah Hemming 'Here is a state-of-the-nation play in which Williams leaves his comfort zone of writing about the black community and stretches himself imaginatively with terrific results' Tribune - Aleks Sierz

Roy Williams was the first recipient of the Alfred Fagon Award for Starstruck in 1997 which also won the John Whiting Award for the same year. His other plays include Josie's Boys, Night and Day, Home Boys which was broadcast on Radio 4 and Lift Off (Royal Court Theatre Upstairs). His more recent work includes The Gift (Birmingham Rep/Tricycle Theatre 2000), Clubland (Royal Court 2001), Little Sweet Thing (2005), and Slow Time (developed as part of the National Theatre's education programme, 2005).

'Williams has a remarkable talent for engineering unforced, truthful-seeming collisions between tragic emotion and irrelevant or blithely disreputable comedy' Independent - Paul Taylor 'Days of Significance is a frankly terrifying and utterly compelling examination of the morality of sending young men to fight a war when they are ill-equipped to do so in every way' Guardian - Michael Billington 'Brace yourself: this is tough, important stuff, alarmingly well done' Mail on Sunday - Georgina Brown 'Williams, while he does not exonerate the behaviour of the soldiers, draws an immensely compassionate portrait of people propelled into hell' Financial Times - Sarah Hemming 'Here is a state-of-the-nation play in which Williams leaves his comfort zone of writing about the black community and stretches himself imaginatively with terrific results' Tribune - Aleks Sierz

Roy Williams was the first recipient of the Alfred Fagon Award for Starstruck in 1997 which also won the John Whiting Award for the same year. His other plays include Josie's Boys, Night and Day, Home Boys which was broadcast on Radio 4 and Lift Off (Royal Court Theatre Upstairs). His more recent work includes The Gift (Birmingham Rep/Tricycle Theatre 2000), Clubland (Royal Court 2001), Little Sweet Thing (2005), and Slow Time (developed as part of the National Theatre's education programme, 2005).

'Williams has a remarkable talent for engineering unforced, truthful-seeming collisions between tragic emotion and irrelevant or blithely disreputable comedy' Independent - Paul Taylor 'Days of Significance is a frankly terrifying and utterly compelling examination of the morality of sending young men to fight a war when they are ill-equipped to do so in every way' Guardian - Michael Billington 'Brace yourself: this is tough, important stuff, alarmingly well done' Mail on Sunday - Georgina Brown 'Williams, while he does not exonerate the behaviour of the soldiers, draws an immensely compassionate portrait of people propelled into hell' Financial Times - Sarah Hemming 'Here is a state-of-the-nation play in which Williams leaves his comfort zone of writing about the black community and stretches himself imaginatively with terrific results' Tribune - Aleks Sierz