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David Jones, Thomas Goldpaugh, Jamie Callison - David Jones's The Grail Mass and Other Works, Häftad

Häftad, Engelska, 2022

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David Jones's The Grail Mass and Other Works

Av David Jones, Thomas Goldpaugh, Jamie Callison

919 kr

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Drawing on new archival discoveries, this book presents an authoritative reconstruction of David Jones’s The Grail Mass, the unfinished and unpublished project from which came both his masterpiece The Anathemata – a work described by W.H. Auden as ‘one of the most important poems of our times’ – and The Sleeping Lord and other fragments, his final collection. With detailed commentary on the development and reconstruction of the text, this edition provides a full picture of Jones’s literary endeavours over the second half of his life and further establishes his status as a major figure in the first wave of British modernist writers alongside T.S. Eliot and James Joyce.In addition to the text of The Grail Mass, this edition includes a number of unpublished fragments by Jones that emerged from this larger project, complete with textual commentaries.
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The poet and painter David Jones (1895-1974) was one of the most important and original voices in British modernism. His epic poem In Parenthesis was described by T.S. Eliot as ‘a work of genius’ and by Stephen Spender as ‘the most monumental work of poetic genius to come out of World War I’ and his many admirers included W.B. Yeats, W.H. Auden and Herbert Read.Thomas Goldpaugh is Professor Emeritus of English at Marist College, USA.Jamie Callison is Associate Professor of British and American Literature at Nord University, Norway.

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An indispensable addition to the Jones corpus. It is also a deeply impressive textual achievement, and a brilliantly realized and instructive engagement with a rich and complex literary archive … The fullness of Jones’s vision on the page is honoured, and poetic practices which might seem esoteric are validated and released for the reader’s appreciation ... [Goldpaugh and Callison's] curiosity and authority as editors shines through with the same force whether they are describing Jones’s use of pencil, ink or biro, or revisiting the ambiguous and provocative issue of his political attitudes.

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