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Laurent Olivier - Dark Abyss of Time, Inbunden

Inbunden, Engelska, 2011

Del i serien Archaeology in Society

Dark Abyss of Time

Archaeology and Memory

Av Laurent Olivier

1789 kr

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Beskrivning
The field of archaeology continues to face a major crisis of interpretation. The traditional view is that the basic business of archaeology is to reconstruct the history of cultures and civilizations through their material productions. Olivier challenges this view with a new approach to archaeological remains based on the works of French theorists such as Foucault, de Certeaux, and Derrida, with insight from Darwin and Freud. His thesis is that archaeology does not study the past itself but rather what materially remains of the past in our present. Olivier also develops an interpretation of material culture based on Aby Warburg’s and Walter Benjamin’s work in the anthropology of art. With wider implications for history and all social sciences, The Dark Abyss of Time is a major contribution to the theory of time, memory, heritage, and archaeology. This flawless translation makes Olivier’s elegantly written work available in English for the first time.
Produktinformation
  • Utgivningsdatum: 2011-11-03
  • Mått: 155 x 231 x 23 mm
  • Vikt: 477 g
  • Format: Inbunden
  • Språk: Engelska
  • Serie: Archaeology in Society
  • Antal sidor: 192
  • Förlag: AltaMira Press
  • ISBN: 9780759120457
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Mer information

Laurent Olivier is curator of the Department of Celtic and Gaulish archaeology at the National Museum of Archaeology in Saint-Germain-en-Laye, outside Paris. He teaches at the École du Louvre and the École pratique des hautes études. He is working on a dig on the site of Iron Age salt marshes in Marsal (northeastern France).Arthur Greenspan is a professor of French at Colby College.

Recensioner i media

The premise offered by Olivier (National Museum of Archaeology, France) is straightforward: archaeology is the "investigation into archives of memory, which is what [material] remains are." The investigation of memory embedded in "things," however, is not straightforward. It is fraught with loose standards for critical judgment informed by the historical subjectivism of Walter Benjamin. In the quest to deal with objects in the present, Olivier invokes Freud and the excavation of the subconscious; Proust and the connection between sensory perception and memories; and das Nachleben der Antike ("survivals") that Aby Warburg used to connect the ancient world with Renaissance art and thought. This work is a conversation with 19th-century thinkers such as Jacob Burckhardt and Charles Darwin rather than with 20th-century archaeologists like R. G. Collingwood, Colin Renfrew, and Jean-Claude Gardin. The prose is evocative; the translation is excellent. Summing Up: Recommended.

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