Maggie Kilgour is Molson Professor of English Language and Literature in the Department of English at McGill University.Elena Lombardi is Paget Toynbee Lecturer in Italian Medieval Studies and a fellow of Balliol College at the University of Oxford.

• PrefaceBibliography of works by Amilcare Iannucci (University of Toronto, Comparative Literature)List of ContributorsNote on Editions and AcknowledgementsChapter 1: Zygmunt G. Barański (University of Cambridge, Italian)‘Lascio cotale trattato ad alto chiosatore’:Form, Literature and Exegesis in Dante’s Vita Nova Chapter 2: Teodolinda Barolini (Columbia University, Italian)A Cavalcantian Vita Nuova: Dante’s CanzoniLo doloroso amor che mi conduce and E’ m’incresce di me sÌ duramente Chapter 3: Robert Hollander (Princeton University, European Literature)Dante’s Cato AgainChapter 4: Elena Lombardi (Jesus College Oxford, Italian)‘Che libido fe’ licito in sua legge’:Lust and Law, Reason and Passion in DanteChapter 5: Carolynn Lund-Mead (Independent scholar)The Vulgata in the Commedia: Self-Interpreting TextsChapter 6: Maggie Kilgour (McGill University, English)Dante’s Ovidian DoublingChapter 7: Massimo Ciavolella (University of California Los Angeles, Italian)Esoteric Interpretations of the Divine Comedy Chapter 8: Piero Boitani (University of Rome, Comparative Literature)Ersed Irredent: The Irish Dante

‘With its wide and interdisciplinary variety of topics, Dantean Dialogues offers reflections on different aspects of Dante’s oeuvres upon the heels of Iannucci’s studies, a fitting "legacy" of his critical voice and contributions to the study of Dante.’ - Isabella Magni (Italica vol 92:02:2015)

Maggie Kilgour is Molson Professor of English Language and Literature in the Department of English at McGill University.Elena Lombardi is Paget Toynbee Lecturer in Italian Medieval Studies and a fellow of Balliol College at the University of Oxford.

• PrefaceBibliography of works by Amilcare Iannucci (University of Toronto, Comparative Literature)List of ContributorsNote on Editions and AcknowledgementsChapter 1: Zygmunt G. Barański (University of Cambridge, Italian)‘Lascio cotale trattato ad alto chiosatore’:Form, Literature and Exegesis in Dante’s Vita Nova Chapter 2: Teodolinda Barolini (Columbia University, Italian)A Cavalcantian Vita Nuova: Dante’s CanzoniLo doloroso amor che mi conduce and E’ m’incresce di me sÌ duramente Chapter 3: Robert Hollander (Princeton University, European Literature)Dante’s Cato AgainChapter 4: Elena Lombardi (Jesus College Oxford, Italian)‘Che libido fe’ licito in sua legge’:Lust and Law, Reason and Passion in DanteChapter 5: Carolynn Lund-Mead (Independent scholar)The Vulgata in the Commedia: Self-Interpreting TextsChapter 6: Maggie Kilgour (McGill University, English)Dante’s Ovidian DoublingChapter 7: Massimo Ciavolella (University of California Los Angeles, Italian)Esoteric Interpretations of the Divine Comedy Chapter 8: Piero Boitani (University of Rome, Comparative Literature)Ersed Irredent: The Irish Dante

‘With its wide and interdisciplinary variety of topics, Dantean Dialogues offers reflections on different aspects of Dante’s oeuvres upon the heels of Iannucci’s studies, a fitting "legacy" of his critical voice and contributions to the study of Dante.’ - Isabella Magni (Italica vol 92:02:2015)

Maggie Kilgour is Molson Professor of English Language and Literature in the Department of English at McGill University.Elena Lombardi is Paget Toynbee Lecturer in Italian Medieval Studies and a fellow of Balliol College at the University of Oxford.

• PrefaceBibliography of works by Amilcare Iannucci (University of Toronto, Comparative Literature)List of ContributorsNote on Editions and AcknowledgementsChapter 1: Zygmunt G. Barański (University of Cambridge, Italian)‘Lascio cotale trattato ad alto chiosatore’:Form, Literature and Exegesis in Dante’s Vita Nova Chapter 2: Teodolinda Barolini (Columbia University, Italian)A Cavalcantian Vita Nuova: Dante’s CanzoniLo doloroso amor che mi conduce and E’ m’incresce di me sÌ duramente Chapter 3: Robert Hollander (Princeton University, European Literature)Dante’s Cato AgainChapter 4: Elena Lombardi (Jesus College Oxford, Italian)‘Che libido fe’ licito in sua legge’:Lust and Law, Reason and Passion in DanteChapter 5: Carolynn Lund-Mead (Independent scholar)The Vulgata in the Commedia: Self-Interpreting TextsChapter 6: Maggie Kilgour (McGill University, English)Dante’s Ovidian DoublingChapter 7: Massimo Ciavolella (University of California Los Angeles, Italian)Esoteric Interpretations of the Divine Comedy Chapter 8: Piero Boitani (University of Rome, Comparative Literature)Ersed Irredent: The Irish Dante

‘With its wide and interdisciplinary variety of topics, Dantean Dialogues offers reflections on different aspects of Dante’s oeuvres upon the heels of Iannucci’s studies, a fitting "legacy" of his critical voice and contributions to the study of Dante.’ - Isabella Magni (Italica vol 92:02:2015)