Dali and Postmodernism

Marc J. LaFountain is Professor, Department of Sociology, State University of West Georgia. He is a four-time recipient of National Endowment for the Humanities Summer Seminar stipends.

• Preface Notes for "New Dali Studies"Acknowledgments Introduction Con-fusion and R(h)umors of Meaning1. Openings, Scenes: Irreality, Surreality, Altereality 2. The Stinking Essence 3. Intermezzo: The Rhizomatic Hystericization of Symbol and Point 4. Phantom Meaning 5. X: Who's? Ethics, and Disaster Notes Index

"The text itself transcends the personal/historical narrative of Dali and Breton and engages in a debate that still rages about subjectivity, identity, agency, knowledge, autonomy, coherence, order, transformation and liberation, alterity, representation, abstraction, essences, and meaning. Connections made for instance between what Bataille and Blanchot are up to in their writings and what Dali is up to in his paintings open up new vistas in our understanding of both modernity and postmodernity. The lucid and energetic presentation of Dali as a posthumanist amid Surrealism's late modernist project reverberates within our present 'culture wars,' foundationalists vs. antifoundationalists, essentialists vs. antiessentialists. This is very much a re-reading that makes no pretenses regarding its present world connections." — Joseph Natoli, Michigan State University"The author does a good job of placing Dali's theory-practice in the context not only of Surrealistic practices, but also of the dialectical method of Hegel and the phenomenological reduction theorized by Husserl. This discussion is detailed and insightful, bringing together in an original way the parallel operations of abstraction applied within philosophy and aesthetics. It is illuminating to juxtapose the abstractive tendencies in the arts of the period with the transcendental logics of the philosophers. This discussion is interesting for its own sake, and the author also extends it to clarify Dali's position in the controversies surrounding the history of Surrealism—his relation to Breton's version of Surrealism, Bataille, et al." — Gregory L. Ulmer, University of Florida